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Bond Quartet
Together Tania Davis (Violin), Eos Counsell (violin), Elspeth Hanson (viola) and Gay-Yee Westerhoff (cello) complete the line-up of BOND.
At its launch, BOND was hailed in the press as ‘the Spice Girls of Classical music’, and went onto turn the world of classical crossover music on its head, spawning many electric string groups inspired by its unique sound.
The members of BOND draw their inspiration from classical, latin, folk, jazz, rock, pop, electro, Indian and middle eastern styles. They have built a very active and loyal international fan base over the years and, since their debut, BOND have sold over 4 million albums worldwide, making BOND the best-selling string quartet of all time.
At its launch, BOND was hailed in the press as ‘the Spice Girls of Classical music’, and went onto turn the world of classical crossover music on its head, spawning many electric string groups inspired by its unique sound.
The members of BOND draw their inspiration from classical, latin, folk, jazz, rock, pop, electro, Indian and middle eastern styles. They have built a very active and loyal international fan base over the years and, since their debut, BOND have sold over 4 million albums worldwide, making BOND the best-selling string quartet of all time.
Jamey Aebersold
Jamey Aebersold (born July 21, 1939 in New Albany, Indiana) is an American jazz saxophonist and music educator. His "Play-A-Long" series of instructional book and CD collections, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. As of 2009, 126 of these collections have been published by Aebersold, who currently teaches musical improvisation at the University of Louisville. He is also an adept pianist, bassist, and banjoist.
Schubert
Franz Peter Schubert (January 31, 1797 – November 19, 1828) was an Austrian composer. He wrote some 600 lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, and a large body of chamber and solo piano music. He is particularly noted for his original melodic and harmonic writing.
While Schubert had a close circle of friends and associates who admired his work (including his teacher Antonio Salieri, and the prominent singer Johann Michael Vogl), wider appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. Interest in Schubert's work increased dramatically in the decades following his death and he is now widely considered to be one of the greatest composers in the Western tradition.
While he was clearly influenced by the Classical sonata forms of Beethoven and Mozart (his early works, among them notably the 5th Symphony, are particularly Mozartean), his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama. This combination of Classical form and long-breathed Romantic melody sometimes lends them a discursive style: his 9th Symphony was described by Robert Schumann as running to "heavenly lengths". His harmonic innovations include movements in which the first section ends in the key of the subdominant rather than the dominant (as in the last movement of the Trout Quintet). Schubert's practice here was a forerunner of the common Romantic technique of relaxing, rather than raising, tension in the middle of a movement, with final resolution postponed to the very end.
While Schubert had a close circle of friends and associates who admired his work (including his teacher Antonio Salieri, and the prominent singer Johann Michael Vogl), wider appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. Interest in Schubert's work increased dramatically in the decades following his death and he is now widely considered to be one of the greatest composers in the Western tradition.
While he was clearly influenced by the Classical sonata forms of Beethoven and Mozart (his early works, among them notably the 5th Symphony, are particularly Mozartean), his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama. This combination of Classical form and long-breathed Romantic melody sometimes lends them a discursive style: his 9th Symphony was described by Robert Schumann as running to "heavenly lengths". His harmonic innovations include movements in which the first section ends in the key of the subdominant rather than the dominant (as in the last movement of the Trout Quintet). Schubert's practice here was a forerunner of the common Romantic technique of relaxing, rather than raising, tension in the middle of a movement, with final resolution postponed to the very end.
Chopin
Frédéric Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Sade
Helen Folasade Adu CBE, known professionally as Sade Adu or simply Sade, is a British Nigerian singer, songwriter, and actress, known as the lead singer of her eponymous band.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Bon Jovi
Bon Jovi is a rock band from Sayreville, New Jersey. Fronted by lead singer and namesake Jon Bongiovi, the group originally achieved large-scale success in the 1980s. Over the past 25 years, Bon Jovi has sold over 120 million albums worldwide, including 34 million in the United States alone.
Bon Jovi formed in 1983 with lead singer Jon Bon Jovi, guitarist Richie Sambora, keyboardist David Bryan, bassist Alec John Such, and drummer Tico Torres. Other than the departure of Alec John Such in 1994 (which pared the lineup down to a quartet), the lineup has remained the same for the past 25 years. After two moderately successful albums in 1984 and 1985, the band scored big with Slippery When Wet (1986) and New Jersey (1988), which sold a combined 19 million copies in the U.S. alone, charted eight Top Ten hits (including four number one hits), and launched the band into global super stardom. After non-stop touring, the band went on hiatus after the New Jersey Tour in 1990, during which time Jon Bon Jovi and Richie Sambora both released successful solo albums. In 1992, the band returned with the double platinum Keep the Faith and has since created a string of platinum albums throughout the 1990s and 2000s.
In 2006, the band won a Grammy for best Country Collaboration for "Who Says You Can't Go Home" with Jennifer Nettles from Sugarland and also became the first rock band to reach #1 on the Hot Country Songs chart with the same song. The band has also received multiple Grammy nominations for music from the albums Crush, Bounce, and Lost Highway.
Throughout their career, the band has released ten studio albums, of which nine have gone platinum. In addition, the band has charted 19 singles to the Top 40 of the Billboard Hot 100, four of which reached #1 ("You Give Love a Bad Name", "Livin' on a Prayer", "Bad Medicine", and "I'll Be There for You"). The band also holds the record for the most weeks for a hard rock album at #1 on the Billboard 200 with Slippery When Wet, as well as the most Top 10 singles from a hard rock album, with New Jersey, which charted five such singles.
Bon Jovi formed in 1983 with lead singer Jon Bon Jovi, guitarist Richie Sambora, keyboardist David Bryan, bassist Alec John Such, and drummer Tico Torres. Other than the departure of Alec John Such in 1994 (which pared the lineup down to a quartet), the lineup has remained the same for the past 25 years. After two moderately successful albums in 1984 and 1985, the band scored big with Slippery When Wet (1986) and New Jersey (1988), which sold a combined 19 million copies in the U.S. alone, charted eight Top Ten hits (including four number one hits), and launched the band into global super stardom. After non-stop touring, the band went on hiatus after the New Jersey Tour in 1990, during which time Jon Bon Jovi and Richie Sambora both released successful solo albums. In 1992, the band returned with the double platinum Keep the Faith and has since created a string of platinum albums throughout the 1990s and 2000s.
In 2006, the band won a Grammy for best Country Collaboration for "Who Says You Can't Go Home" with Jennifer Nettles from Sugarland and also became the first rock band to reach #1 on the Hot Country Songs chart with the same song. The band has also received multiple Grammy nominations for music from the albums Crush, Bounce, and Lost Highway.
Throughout their career, the band has released ten studio albums, of which nine have gone platinum. In addition, the band has charted 19 singles to the Top 40 of the Billboard Hot 100, four of which reached #1 ("You Give Love a Bad Name", "Livin' on a Prayer", "Bad Medicine", and "I'll Be There for You"). The band also holds the record for the most weeks for a hard rock album at #1 on the Billboard 200 with Slippery When Wet, as well as the most Top 10 singles from a hard rock album, with New Jersey, which charted five such singles.
Haydn
Franz Joseph Haydn (March 31, 1732 – May 31, 1809) was one of the most prominent composers of the classical period, and is called by some the "Father of the Symphony" and "Father of the String Quartet".
A life-long resident of Austria, Haydn spent most of his career as a court musician for the wealthy Hungarian Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".
Although Haydn is still often called "Franz Joseph Haydn", the composer did not use the name "Franz" during his lifetime and this misnomer is avoided by modern scholars and historians. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.
A central characteristic of Haydn's music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn's work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called "monothematic exposition", in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Perhaps more than any other composer's, Haydn's music is known for its humour. The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
A life-long resident of Austria, Haydn spent most of his career as a court musician for the wealthy Hungarian Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".
Although Haydn is still often called "Franz Joseph Haydn", the composer did not use the name "Franz" during his lifetime and this misnomer is avoided by modern scholars and historians. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.
A central characteristic of Haydn's music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn's work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called "monothematic exposition", in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Perhaps more than any other composer's, Haydn's music is known for its humour. The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
Pat martino
Pat Martino is a jazz guitarist and composer. Wikipedia Born: August 25, 1944 (age 75 years), Philadelphia, Pennsylvania, United States Full name: Pat Azzara Spouse: Ayako Asahi (m. 1997) Genres: Jazz fusion, Mainstream jazz, Soul jazz
Whitney Houston
Whitney Elizabeth Houston (born August 9, 1963) is an American singer, actress, and former fashion model. A relative of several prominent soul singers, including her mother Cissy Houston, cousins Dee Dee and Dionne Warwick and godmother Aretha Franklin, Houston began singing at her New Jersey church as a member of a junior gospel choir at age eleven. After she began performing alongside her mother at night clubs in the New York City area, she was discovered by Arista Records label head Clive Davis.
Houston released her debut album Whitney Houston in 1985, which became the best-selling debut album by a female artist at the time of release. Her second studio album Whitney (1987) became the first album by a female artist to debut at number one on the Billboard 200 albums chart. Houston's crossover appeal on the popular music charts as well as her prominence on MTV enabled several African-American women to follow in her success.
Following her marriage to singer Bobby Brown, Houston appeared in her first starring role in the feature film The Bodyguard in 1992. The film's original soundtrack won the 1994 Grammy Award for Album of the Year. Its lead single, Houston's remake of the 1974 Dolly Parton song "I Will Always Love You", became one of the best-selling singles in music history. Houston continued to star in feature films and contributed to soundtracks including Waiting to Exhale (1995) and The Preacher's Wife (1996). After the release of her fourth studio album My Love Is Your Love (1998), she renewed her recording contract with Arista Records in 2001 for a historic $100 million. She subsequently released her fifth studio album, Just Whitney the following year with One Wish: The Holiday Album being released in 2003. Amidst widespread media coverage of personal and professional turmoil, Houston's marriage to Brown ended in 2006.
Houston is one of the world's best-selling music artists, having sold over 190 million albums and singles worldwide. She is ranked as the fourth best-selling female artist in the United States by the Recording Industry Association of America, with 55 million certified albums. She has been listed by Rolling Stone magazine as one of The 100 Greatest Singers of All Time.
Houston released her debut album Whitney Houston in 1985, which became the best-selling debut album by a female artist at the time of release. Her second studio album Whitney (1987) became the first album by a female artist to debut at number one on the Billboard 200 albums chart. Houston's crossover appeal on the popular music charts as well as her prominence on MTV enabled several African-American women to follow in her success.
Following her marriage to singer Bobby Brown, Houston appeared in her first starring role in the feature film The Bodyguard in 1992. The film's original soundtrack won the 1994 Grammy Award for Album of the Year. Its lead single, Houston's remake of the 1974 Dolly Parton song "I Will Always Love You", became one of the best-selling singles in music history. Houston continued to star in feature films and contributed to soundtracks including Waiting to Exhale (1995) and The Preacher's Wife (1996). After the release of her fourth studio album My Love Is Your Love (1998), she renewed her recording contract with Arista Records in 2001 for a historic $100 million. She subsequently released her fifth studio album, Just Whitney the following year with One Wish: The Holiday Album being released in 2003. Amidst widespread media coverage of personal and professional turmoil, Houston's marriage to Brown ended in 2006.
Houston is one of the world's best-selling music artists, having sold over 190 million albums and singles worldwide. She is ranked as the fourth best-selling female artist in the United States by the Recording Industry Association of America, with 55 million certified albums. She has been listed by Rolling Stone magazine as one of The 100 Greatest Singers of All Time.
Sammy Nestico
Samuel "Sammy" Louis Nestico (born February 6, 1924 in Pittsburgh, Pennsylvania) is a prolific and well known composer and arranger of big band music. Nestico is most known for his arrangements for the Count Basie orchestra.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Johann Pachelbel
Johann Pachelbel (pronounced /ˈpækəlbɛl/, /ˈpɑːkəlbɛl/, or /ˈpɑːkəbɛl/; baptized September 1, 1653 – buried March 9, 1706) was a German Baroque composer, organist and teacher, who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote - although a true canon at the unison in three parts, it is often regarded more as a passacaglia, and it is in this mode that it has been arranged and transcribed for many different media. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote - although a true canon at the unison in three parts, it is often regarded more as a passacaglia, and it is in this mode that it has been arranged and transcribed for many different media. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Andy Williams
Howard Andrew "Andy" Williams (born December 3, 1927) is an American pop singer. Andy Williams has recorded 18 Gold and three Platinum certified albums. When Ronald Reagan was president, he declared Andy's voice to be "a national treasure". He had his own popular TV variety show from 1962–71. He also owns his own theater, the Moon River Theatre in Branson, Missouri.
Williams' solo career began in 1952 after his brothers left the act. He recorded six sides for RCA Victor's label "X," but none of them were popular hits.
After finally landing a spot as a regular on Steve Allen's Tonight Show in 1955, he was signed to a recording contract with Cadence Records, a small label in New York run by conductor Archie Bleyer. His third single, "Canadian Sunset" (1956) hit the Top Ten, and was soon followed by his only Billboard #1 hit, "Butterfly" (a cover of a Charlie Gracie record on which Williams imitated Elvis Presley). More hits followed, including "The Hawaiian Wedding Song" (U.S. #11), "Are You Sincere" (U.S. #3), "The Village of St. Bernadette" (U.S. #7), "Lonely Street" (U.S. #5), and "I Like Your Kind Of Love" (U.S. #8) before Williams moved to Columbia Records in 1961, having moved from New York to Los Angeles and gaining another hit with "Can't Get Used to Losing You" (U.S. #2). In terms of chart popularity, the Cadence era was Williams' peak although songs he introduced on Columbia became much bigger standards.
During the 1960s, Williams became one of the most popular vocalists in the country and was signed to what was at that time the biggest recording contract in history. He was primarily an album artist, and at one time he had earned more gold albums than any solo performer except Frank Sinatra, Johnny Mathis and Elvis Presley. By 1973 he had earned as many as 18 gold album awards. Among his hit albums from this period were Moon River, Days of Wine and Roses (number one for 16 weeks in mid-1963), The Andy Williams Christmas Album, Dear Heart, The Shadow of Your Smile, Love, Andy, Get Together with Andy Williams, and Love Story. These recordings, along with his natural affinity for the music of the 1960s and early 1970s, combined to make him one of the premier easy listening singers of that era. In the UK, Williams continued to reach high chart status until 1978. The albums Can't Help Falling In Love (1970), Andy Williams Show (1970) Home Lovin Man ( #1 1971), Solitaire (1973), The Way We Were (1974) and Reflections (1978) all reached the Top 10.
Building on his experience with Allen and some short-term variety shows in the 1950s, he became the star of his own weekly television variety show in 1962. This series, The Andy Williams Show, won three Emmy Awards for outstanding variety program. Among his series regulars were the Osmond Brothers. He gave up the variety show in 1971 while it was still popular and retrenched to three specials per year. His Christmas specials, which appeared regularly until 1974 and intermittently from 1982 into the 1990s, were among the most popular of the genre. Williams has recorded eight Christmas albums over the years and has been penned as Mr. Christmas.
Williams hosted the most Grammy telecasts, from the 13th Annual Grammy Awards in 1971 through the 19th Annual Grammy Awards in 1977, totaling seven consecutive shows. He returned to television to do a syndicated half-hour series in 1976–77.
Williams' solo career began in 1952 after his brothers left the act. He recorded six sides for RCA Victor's label "X," but none of them were popular hits.
After finally landing a spot as a regular on Steve Allen's Tonight Show in 1955, he was signed to a recording contract with Cadence Records, a small label in New York run by conductor Archie Bleyer. His third single, "Canadian Sunset" (1956) hit the Top Ten, and was soon followed by his only Billboard #1 hit, "Butterfly" (a cover of a Charlie Gracie record on which Williams imitated Elvis Presley). More hits followed, including "The Hawaiian Wedding Song" (U.S. #11), "Are You Sincere" (U.S. #3), "The Village of St. Bernadette" (U.S. #7), "Lonely Street" (U.S. #5), and "I Like Your Kind Of Love" (U.S. #8) before Williams moved to Columbia Records in 1961, having moved from New York to Los Angeles and gaining another hit with "Can't Get Used to Losing You" (U.S. #2). In terms of chart popularity, the Cadence era was Williams' peak although songs he introduced on Columbia became much bigger standards.
During the 1960s, Williams became one of the most popular vocalists in the country and was signed to what was at that time the biggest recording contract in history. He was primarily an album artist, and at one time he had earned more gold albums than any solo performer except Frank Sinatra, Johnny Mathis and Elvis Presley. By 1973 he had earned as many as 18 gold album awards. Among his hit albums from this period were Moon River, Days of Wine and Roses (number one for 16 weeks in mid-1963), The Andy Williams Christmas Album, Dear Heart, The Shadow of Your Smile, Love, Andy, Get Together with Andy Williams, and Love Story. These recordings, along with his natural affinity for the music of the 1960s and early 1970s, combined to make him one of the premier easy listening singers of that era. In the UK, Williams continued to reach high chart status until 1978. The albums Can't Help Falling In Love (1970), Andy Williams Show (1970) Home Lovin Man ( #1 1971), Solitaire (1973), The Way We Were (1974) and Reflections (1978) all reached the Top 10.
Building on his experience with Allen and some short-term variety shows in the 1950s, he became the star of his own weekly television variety show in 1962. This series, The Andy Williams Show, won three Emmy Awards for outstanding variety program. Among his series regulars were the Osmond Brothers. He gave up the variety show in 1971 while it was still popular and retrenched to three specials per year. His Christmas specials, which appeared regularly until 1974 and intermittently from 1982 into the 1990s, were among the most popular of the genre. Williams has recorded eight Christmas albums over the years and has been penned as Mr. Christmas.
Williams hosted the most Grammy telecasts, from the 13th Annual Grammy Awards in 1971 through the 19th Annual Grammy Awards in 1977, totaling seven consecutive shows. He returned to television to do a syndicated half-hour series in 1976–77.
Claude Bolling
Claude Bolling (born 10 April 1930), is a renowned French jazz pianist, composer, arranger, and occasional actor.
He was born in Cannes, studied at the Nice Conservatory, then in Paris. A child prodigy, by age 14 he was playing jazz piano professionally, with Lionel Hampton, Roy Eldridge, and Kenny Clarke. Bolling's books on jazz technique show that he did not delve far beyond bebop into much avant garde jazz. He was a major part of the traditional jazz revival in the late 1960s, and he became friends with Oscar Peterson.
He has written music for over one hundred films, mostly French, starting with the score for a 1957 documentary about the Cannes Film Festival, and including the films Borsalino (1970), and California Suite (1978).
Bolling is also noted for a series of "crossover" collaborations with classical musicians. His Suite for Flute and Jazz Piano Trio with Jean-Pierre Rampal, a mix of Baroque elegance with modern swing, has been a top seller for many years, and was followed up by other works in the same vein. It was particularly popular in the United States, at the top of the hit parade for two years after its release and on billboard top 40 for 530 weeks, roughly ten years.
Following his work with Rampal, Bolling went on to work with many other musicians, from different genres, including Alexandre Lagoya, Pinchas Zukerman, Maurice André, and Yo-Yo Ma. He has also worked with, and performed tributes to many others, including Lionel Hampton, Duke Ellington, Stéphane Grappelli, Django Reinhardt, Oscar Peterson.
He was born in Cannes, studied at the Nice Conservatory, then in Paris. A child prodigy, by age 14 he was playing jazz piano professionally, with Lionel Hampton, Roy Eldridge, and Kenny Clarke. Bolling's books on jazz technique show that he did not delve far beyond bebop into much avant garde jazz. He was a major part of the traditional jazz revival in the late 1960s, and he became friends with Oscar Peterson.
He has written music for over one hundred films, mostly French, starting with the score for a 1957 documentary about the Cannes Film Festival, and including the films Borsalino (1970), and California Suite (1978).
Bolling is also noted for a series of "crossover" collaborations with classical musicians. His Suite for Flute and Jazz Piano Trio with Jean-Pierre Rampal, a mix of Baroque elegance with modern swing, has been a top seller for many years, and was followed up by other works in the same vein. It was particularly popular in the United States, at the top of the hit parade for two years after its release and on billboard top 40 for 530 weeks, roughly ten years.
Following his work with Rampal, Bolling went on to work with many other musicians, from different genres, including Alexandre Lagoya, Pinchas Zukerman, Maurice André, and Yo-Yo Ma. He has also worked with, and performed tributes to many others, including Lionel Hampton, Duke Ellington, Stéphane Grappelli, Django Reinhardt, Oscar Peterson.
Jazz Book Jamey Aebersold Volume 74 - Latin jazz Play-A-long Book
Zelda medley
In music, a medley is a piece composed from parts of existing pieces, usually three, played one after another, sometimes overlapping. They are common in popular music, and most medleys are songs rather than instrumental. A medley which is a remixed series is called a megamix, often done with tracks for a single artist, or for popular songs from a given year or genre.
A medley is the most common form of overture for musical theater productions.
In Latin music, medleys are known as potpourrís or mosaicos; the latter were popularized by artists such as Roberto Faz and Billo Frómeta, and most commonly consist of boleros, guarachas, merengues or congas.
A medley is the most common form of overture for musical theater productions.
In Latin music, medleys are known as potpourrís or mosaicos; the latter were popularized by artists such as Roberto Faz and Billo Frómeta, and most commonly consist of boleros, guarachas, merengues or congas.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Bill Evans
William John Evans, known as Bill Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist. His use of impressionist harmony, inventive interpretation of traditional jazz repertoire, and trademark rhythmically independent, "singing" melodic lines influenced a generation of pianists, including Chick Corea, Herbie Hancock, John Taylor, Steve Kuhn, Don Friedman, Denny Zeitlin, Bobo Stenson and Keith Jarrett, as well as guitarists Lenny Breau and Pat Metheny. The music of Bill Evans continues to inspire younger pianists like Marcin Wasilewski, Fred Hersch, Ray Reach, Bill Charlap, Lyle Mays, Eliane Elias and arguably Brad Mehldau, early in his career.
Evans is an inductee of the Down Beat Jazz Hall of Fame.
Evans is an inductee of the Down Beat Jazz Hall of Fame.
Howard Shore
Howard Leslie Shore (born October 18, 1946) is a Canadian composer, notable for his film scores. He has composed the scores for over 40 films, most notably the scores for The Lord of the Rings film trilogy, for which he won three Academy Awards. He is also a consistent collaborator with director David Cronenberg, having scored all but one of his films since 1979. Shore has also worked with Martin Scorsese, Jonathan Demme, David Fincher and many other filmakers.
He has also composed a few concert works including one opera, The Fly, based on the plot (though not his score) of Cronenberg's 1986 film premiered at the Théâtre du Châtelet in Paris on 2 July 2008., a short piece Fanfare for the Wanamaker Organ and the Philadelphia Orchestra, and a short overture for the Swiss 21st Century Symphony Orchestra.
Shore is a three-time winner of the Academy Award, and has also won two Golden Globe Awards and four Grammy Awards. He is the uncle of film composer Ryan Shore.
He has also composed a few concert works including one opera, The Fly, based on the plot (though not his score) of Cronenberg's 1986 film premiered at the Théâtre du Châtelet in Paris on 2 July 2008., a short piece Fanfare for the Wanamaker Organ and the Philadelphia Orchestra, and a short overture for the Swiss 21st Century Symphony Orchestra.
Shore is a three-time winner of the Academy Award, and has also won two Golden Globe Awards and four Grammy Awards. He is the uncle of film composer Ryan Shore.
Franz Listz
Franz Liszt (German: ; Hungarian: Liszt Ferencz, in modern usage Liszt Ferenc ; 22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, and organist of the Romantic era. He was also a writer, a philanthropist, a Hungarian nationalist and a Franciscan tertiary.Liszt gained renown in Europe during the early nineteenth century for his prodigious virtuosic skill as a pianist. He was a friend, musical promoter and benefactor to many composers of his time, including Frédéric Chopin, Richard Wagner, Hector Berlioz, Robert Schumann, Camille Saint-Saëns, Edvard Grieg, Ole Bull, Joachim Raff, Mikhail Glinka, and Alexander Borodin.
J. S. Bach
Johann Sebastian Bach (21 March 1685, O.S.31 March 1685, N.S. – 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Debussy
Achille-Claude Debussy (August 22, 1862 – March 25, 1918) was a French composer. Along with Maurice Ravel, he is considered one of the most prominent figures working within the field of Impressionist music, though he himself intensely disliked the term when applied to his compositions. Debussy was not only among the most important of all French composers but also was a central figure in all European music at the turn of the twentieth century.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Vivaldi
Antonio Lucio Vivaldi (March 4, 1678 â July 28, 1741), nicknamed il Prete Rosso ("The Red Priest"), was a Venetian priest and Baroque music composer, as well as a famous virtuoso violinist; he was born and raised in the Republic of Venice. The Four Seasons, a series of four violin concerti, is his best-known work and a highly popular Baroque piece.
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Albinoni
Tomaso Giovanni Albinoni (8 June 1671, Venice, Republic of Venice – 17 January 1751, Venice, Republic of Venice) was a Venetian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, some of which is regularly recorded.
Colby Caillat
Colbie Marie Caillat ( /ˈkoʊlbi kəˈleɪ/ (help·info)) (born May 28, 1985) is an American pop singer-songwriter and guitarist from Malibu, California. She debuted in 2007 with Coco, which included hit singles "Bubbly", "Realize", and "The Little Things". In 2008, she recorded a duet with Jason Mraz, "Lucky". Caillat released her second album, Breakthrough, in August 2009.
On December 2, 2009, Breakthrough was nominated for Best Pop Vocal Album at the 52nd Grammy Awards. She was also nominated twice for Best Pop Collaboration, for her featured vocals on Jason Mraz's "Lucky" and her background vocals and writing on Taylor Swift's "Breathe", and nominated Album of the Year her background vocals and writing on Taylor Swift's "Fearless"
On December 2, 2009, Breakthrough was nominated for Best Pop Vocal Album at the 52nd Grammy Awards. She was also nominated twice for Best Pop Collaboration, for her featured vocals on Jason Mraz's "Lucky" and her background vocals and writing on Taylor Swift's "Breathe", and nominated Album of the Year her background vocals and writing on Taylor Swift's "Fearless"
Alicia Keys
Alicia J. Augello-Cook (born January 25, 1981), and has won numerous awards, including eleven Grammy Awards, seventeen Billboard Music Awards, three American Music Awards.
Her debut album Songs in A Minor was a worldwide success, selling nearly 11 millions albums, and received five Grammy Awards in 2002, with Alicia winning Best New Artist and also Song of the Year for "Fallin'".
Her debut album Songs in A Minor was a worldwide success, selling nearly 11 millions albums, and received five Grammy Awards in 2002, with Alicia winning Best New Artist and also Song of the Year for "Fallin'".
Cantus Doloris
Cantus doloris is een compositie van Christian Sinding. De titel (vanuit het Latijn vertaald Rouwlied) verwijst naar de aanleiding van het schrijven van deze ...
Rachmaninoff
Sergei Vasilievich Rachmaninoff (1 April 1873 - 28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Hisaishi Jou
Mamoru Fujisawa (藤澤 守 Fujisawa Mamoru?), known professionally as Joe Hisaishi (久石 譲 Hisaishi Jō?, born December 6, 1950), is a composer and director known for over 100 film scores and solo albums dating back to 1981.
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and head of an orchestra.
He is best known for his work with animator Hayao Miyazaki, having composed scores for many of his films including Nausicaä of the Valley of the Wind (1984), Castle in the Sky (1986), My Neighbor Totoro (1988), Kiki's Delivery Service (1989), Porco Rosso (1992), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo on the Cliff by the Sea (2008). He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including A Scene at the Sea (1991), Dolls (2002), Kikujiro (1999), Hana-bi (1997), Kids Return (1996), Ocean Heaven (2010) and Sonatine (1993).
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and head of an orchestra.
He is best known for his work with animator Hayao Miyazaki, having composed scores for many of his films including Nausicaä of the Valley of the Wind (1984), Castle in the Sky (1986), My Neighbor Totoro (1988), Kiki's Delivery Service (1989), Porco Rosso (1992), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo on the Cliff by the Sea (2008). He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including A Scene at the Sea (1991), Dolls (2002), Kikujiro (1999), Hana-bi (1997), Kids Return (1996), Ocean Heaven (2010) and Sonatine (1993).
The Secret Garden
The Secret Garden is a musical based on the 1909 novel of the same name by Frances Hodgson Burnett. The musical's book and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway at the St. James Theatre on 25 April 1991 and closed on 3 January 1993 after 709 performances.
The musical, set in 1906, tells of a young English girl, Mary, who is forced to move to England from colonial India when her parents die in a cholera outbreak. There she lives with her emotionally stunted Uncle Archibald and her invalid cousin. Discovering a hidden and neglected garden, and bravely overcoming dark forces, she and a young gardener bring it back to life at the same time as she brings new life to her cousin and uncle.
The Secret Garden garnered the 1991 Tony Awards for Best Book of a Musical, Best Featured Actress in a Musical (Daisy Eagan), and Best Scenic Design (Heidi Landesman). The set resembled an enormous Victorian toy theatre with pop-out figures, large paper dolls, and Joseph Cornell-like collage elements.
The musical, set in 1906, tells of a young English girl, Mary, who is forced to move to England from colonial India when her parents die in a cholera outbreak. There she lives with her emotionally stunted Uncle Archibald and her invalid cousin. Discovering a hidden and neglected garden, and bravely overcoming dark forces, she and a young gardener bring it back to life at the same time as she brings new life to her cousin and uncle.
The Secret Garden garnered the 1991 Tony Awards for Best Book of a Musical, Best Featured Actress in a Musical (Daisy Eagan), and Best Scenic Design (Heidi Landesman). The set resembled an enormous Victorian toy theatre with pop-out figures, large paper dolls, and Joseph Cornell-like collage elements.
Ennio Morricone
Ennio Morricone, OMRI (born November 10, 1928), is an Italian composer and conductor. He has composed and arranged scores for more than 500 film and television productions. Morricone is considered as one of the most influential film composers since the late 1950s. He is well-known for his long-term collaborations with international acclaimed directors such as Sergio Leone, Brian De Palma, Barry Levinson, and Giuseppe Tornatore.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
No Doubt
No Doubt is a rock band from Anaheim, California, United States, founded in 1986. The ska-rock sound of its first album failed to make waves due to the popularity of the grunge movement at the time. The band's diamond-certified album Tragic Kingdom helped to launch the ska revival of the 1990s, and "Don't Speak", the third single from the album, set a record when it spent sixteen weeks at the number one spot on the Billboard Hot 100 Airplay chart, later broken by the Goo Goo Dolls' "Iris".
The group released its next album, Return of Saturn, four years later, but despite positive reviews, the album was considered a commercial failure. Fifteen months later, the band reappeared with Rock Steady, which incorporated reggae and dancehall music into their work. The album was primarily recorded in Jamaica and featured collaborations with Jamaican artists Bounty Killer, Sly and Robbie, and Lady Saw. The album produced two Grammy-winning singles, "Hey Baby" and "Underneath It All".
No Doubt released the compilation The Singles 1992-2003 and box set Boom Box in 2003, both of which contained a cover version of the Talk Talk synthpop song "It's My Life". Frontwoman Gwen Stefani launched her solo career the next year with several collaborations, including bandmate Tony Kanal and Neptune Pharrell, while guitarist Tom Dumont began his side project, Invincible Overlord. During its career, the band has won two Grammy Awards and sold 27 million records worldwide to date.
The group released its next album, Return of Saturn, four years later, but despite positive reviews, the album was considered a commercial failure. Fifteen months later, the band reappeared with Rock Steady, which incorporated reggae and dancehall music into their work. The album was primarily recorded in Jamaica and featured collaborations with Jamaican artists Bounty Killer, Sly and Robbie, and Lady Saw. The album produced two Grammy-winning singles, "Hey Baby" and "Underneath It All".
No Doubt released the compilation The Singles 1992-2003 and box set Boom Box in 2003, both of which contained a cover version of the Talk Talk synthpop song "It's My Life". Frontwoman Gwen Stefani launched her solo career the next year with several collaborations, including bandmate Tony Kanal and Neptune Pharrell, while guitarist Tom Dumont began his side project, Invincible Overlord. During its career, the band has won two Grammy Awards and sold 27 million records worldwide to date.
Rossini
Gioachino Antonio Rossini (February 29, 1792 – November 13, 1868) was a popular Italian composer who created 39 operas as well as sacred music and chamber music. His best known works include Il barbiere di Siviglia (The Barber of Seville), La Cenerentola and Guillaume Tell (William Tell).
Rossini's most famous opera was produced on February 20, 1816 at the Teatro Argentina in Rome. The libretto by Cesare Sterbini, a version of Pierre Beaumarchais' infamous stage play Le Barbier de Séville, was the same as that already used by Giovanni Paisiello in his own Barbiere, an opera which had enjoyed European popularity for more than a quarter of a century. Much is made of how fast Rossini's opera was written, scholarship generally agreeing upon two weeks. Later in life, Rossini claimed to have written the opera in only twelve days. It was a colossal failure when it premiered as Almaviva; Paisiello’s admirers were extremely indignant, sabotaging the production by whistling and shouting during the entire first act. However, not long after the second performance, the opera became so successful that the fame of Paisiello's opera was transferred to Rossini's, to which the title The Barber of Seville passed as an inalienable heritage.
Rossini's most famous opera was produced on February 20, 1816 at the Teatro Argentina in Rome. The libretto by Cesare Sterbini, a version of Pierre Beaumarchais' infamous stage play Le Barbier de Séville, was the same as that already used by Giovanni Paisiello in his own Barbiere, an opera which had enjoyed European popularity for more than a quarter of a century. Much is made of how fast Rossini's opera was written, scholarship generally agreeing upon two weeks. Later in life, Rossini claimed to have written the opera in only twelve days. It was a colossal failure when it premiered as Almaviva; Paisiello’s admirers were extremely indignant, sabotaging the production by whistling and shouting during the entire first act. However, not long after the second performance, the opera became so successful that the fame of Paisiello's opera was transferred to Rossini's, to which the title The Barber of Seville passed as an inalienable heritage.
Alessandro Marcello
Alessandro Ignazio Marcello (1st February 1673 in Venice – 19 June 1747 in Venice) was an Italian nobleman, poet, philosopher, mathematician and musician.
Elgar
Sir Edward William Elgar, 1st Baronet, OM, GCVO (2 June 1857 – 23 February 1934) was an English composer. He is known for such works as the Enigma Variations, the Pomp and Circumstance Marches, The Dream of Gerontius, concertos for violin and cello, and two symphonies. He also composed oratorios, chamber music and songs. He was appointed Master of the King's Musick in 1924.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Michael Jackson
Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American singer, dancer and entertainer. Referred to as the King of Pop, he is the most commercially successful entertainer of all time, and one of the most influential. His contributions to music, dance and fashion, along with a much publicized personal life, made him a global figure in popular culture for over four decades.
Alongside his brothers, he made his debut as lead singer and youngest member of The Jackson 5 in 1964. He began his solo career in 1971. His 1982 album Thriller remains the best-selling album ever, with Off the Wall (1979), Bad (1987), Dangerous (1991) and HIStory (1995) also among the world's best-selling albums. He is widely credited with having transformed the music video from a promotional tool into an art form with videos for his songs such as "Billie Jean", "Beat It" and "Thriller" making him the first African American artist to amass a strong crossover following on MTV. With stage performances and music videos, Jackson popularized a number of physically complicated dance techniques, such as the robot and the moonwalk. His distinctive musical sound, vocal style, and choreography, is credited with stretching across and breaking down cultural, racial, economic, generational, and global barriers that has inspired countless pop, rock, R&B and hip hop artists.
One of the few artists to have been inducted into the Rock and Roll Hall of Fame twice, his other achievements feature multiple Guinness World Records—including the "Most Successful Entertainer of All Time"—15 Grammy Awards (including the "Living Legend Award" and the "Lifetime Achievement Award"), 26 American Music Awards (24 only as a solo artist, including one for "Artist of the Century")—more than any artist—, 17 number one singles in the US (including the four as a member of the Jackson 5), and estimated sales of up to 750 million records worldwide making him the world's best selling artist in history.
Jackson's personal relationships and life generated controversy for years. His changing appearance was noticed from the late 1970s onwards, with changes to his nose and to the color of his skin drawing media publicity. He was accused of child sexual abuse in 1993 though no charges were brought, and in 2005 he was tried and acquitted when the jury ruled him not guilty on all charges. He married twice, first in 1994 and again in 1996, and brought up three children, one born to a surrogate mother. While preparing for the This Is It concert tour in 2009, Jackson died at the age of 50 after suffering from cardiac arrest. He reportedly had been administered drugs such as propofol and lorazepam, and his death was ruled a homicide by the Los Angeles County coroner. His death triggered an outpouring of grief from around the world with his globally live broadcast memorial service attracting an audience of up to one billion people; as well as a huge surge in his album sales, resulting in him becoming the best selling artist of 2009 with sales in excess of 8.2 million in the United States where he became the first artist ever to have 4 of the top 20 best-selling albums in a single year, and 29 million albums globally, where he had an unprecedented 8 of the top 25 best-selling albums worldwide.
Alongside his brothers, he made his debut as lead singer and youngest member of The Jackson 5 in 1964. He began his solo career in 1971. His 1982 album Thriller remains the best-selling album ever, with Off the Wall (1979), Bad (1987), Dangerous (1991) and HIStory (1995) also among the world's best-selling albums. He is widely credited with having transformed the music video from a promotional tool into an art form with videos for his songs such as "Billie Jean", "Beat It" and "Thriller" making him the first African American artist to amass a strong crossover following on MTV. With stage performances and music videos, Jackson popularized a number of physically complicated dance techniques, such as the robot and the moonwalk. His distinctive musical sound, vocal style, and choreography, is credited with stretching across and breaking down cultural, racial, economic, generational, and global barriers that has inspired countless pop, rock, R&B and hip hop artists.
One of the few artists to have been inducted into the Rock and Roll Hall of Fame twice, his other achievements feature multiple Guinness World Records—including the "Most Successful Entertainer of All Time"—15 Grammy Awards (including the "Living Legend Award" and the "Lifetime Achievement Award"), 26 American Music Awards (24 only as a solo artist, including one for "Artist of the Century")—more than any artist—, 17 number one singles in the US (including the four as a member of the Jackson 5), and estimated sales of up to 750 million records worldwide making him the world's best selling artist in history.
Jackson's personal relationships and life generated controversy for years. His changing appearance was noticed from the late 1970s onwards, with changes to his nose and to the color of his skin drawing media publicity. He was accused of child sexual abuse in 1993 though no charges were brought, and in 2005 he was tried and acquitted when the jury ruled him not guilty on all charges. He married twice, first in 1994 and again in 1996, and brought up three children, one born to a surrogate mother. While preparing for the This Is It concert tour in 2009, Jackson died at the age of 50 after suffering from cardiac arrest. He reportedly had been administered drugs such as propofol and lorazepam, and his death was ruled a homicide by the Los Angeles County coroner. His death triggered an outpouring of grief from around the world with his globally live broadcast memorial service attracting an audience of up to one billion people; as well as a huge surge in his album sales, resulting in him becoming the best selling artist of 2009 with sales in excess of 8.2 million in the United States where he became the first artist ever to have 4 of the top 20 best-selling albums in a single year, and 29 million albums globally, where he had an unprecedented 8 of the top 25 best-selling albums worldwide.
Nat Adderly
Nathaniel Carlyle Adderley was born in Tampa, Florida, but moved to Tallahassee when his parents were hired to teach at Florida A&M University. His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee and in amateur gigs around the area.
Apocalyptica
Apocalyptica is a Finnish cello metal band, composed of classically trained cellists and, since 2005, a drummer. Three of the cellists are graduates of the Sibelius Academy in Helsinki, Finland. Their music features elements from classical music, neo-classical metal, thrash metal, and symphonic metal.
Dario Marianneli
Dario Marianelli Italian film composer Dario Marianelli is an Italian film composer, known for his frequent collaborations with director Joe Wright. Wikipedia Born: June 21, 1963 (age 56 years), Pisa, Italy Albums: Pride & Prejudice, Atonement, MORE Awards: Academy Award for Best Original Music Score, MORE Education: Guildhall School of Music & Drama, National Film & Television School
György Ligeti
György Sándor Ligeti (May 28, 1923 – June 12, 2006) was a composer, born in a Hungarian Jewish family in Transylvania, Romania. He briefly lived in Hungary before later becoming an Austrian citizen. Many of his works are well known in classical music circles, but to the general public, he is best-known for the various pieces featured in the Stanley Kubrick films 2001: A Space Odyssey, The Shining, and Eyes Wide Shut.
Ligeti's music is best-known to the general public for its use in the films of Stanley Kubrick. The soundtrack to 2001: A Space Odyssey includes four of his pieces: Atmosphères, Lux Aeterna (for the moon-bus scene en route to the TMA-1 monolith in the crater Tycho), Requiem (the Kyrie section), and an electronically altered version of Aventures (in the cryptic final scenes). Some of this music was used again in Peter Hyams's 1984 sequel film, 2010. Kubrick's The Shining uses Lontano for orchestra. The second of Ligeti's Musica ricercata is used extensively in Eyes Wide Shut.
Ligeti's music is best-known to the general public for its use in the films of Stanley Kubrick. The soundtrack to 2001: A Space Odyssey includes four of his pieces: Atmosphères, Lux Aeterna (for the moon-bus scene en route to the TMA-1 monolith in the crater Tycho), Requiem (the Kyrie section), and an electronically altered version of Aventures (in the cryptic final scenes). Some of this music was used again in Peter Hyams's 1984 sequel film, 2010. Kubrick's The Shining uses Lontano for orchestra. The second of Ligeti's Musica ricercata is used extensively in Eyes Wide Shut.
George Gershwin
George Gershwin (September 26, 1898 – July 11, 1937) was an American composer. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed songs both for Broadway and for the classical concert hall. He also wrote popular songs with success.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.