Sheet Music Network is a site for those who wants to access popular sheet music easily,
letting them download the sheet music for free for trial purposes.
It's completely free to download and try the listed sheet music, but you have to delete the files after 24 hours of trial.
Don't forget, if you like the piece of music you have just learned playing,
treat the artist with respect, and go buy the original sheet music.
Latest Sheet Music
Stephen Foster
Stephen Collins Foster (July 4, 1826 – January 13, 1864), known as the "father of American music," was the pre-eminent songwriter in the United States of the 19th century. His songs, such as "Oh! Susanna", "Camptown Races", "Old Folks at Home" ("Swanee River"), "Hard Times Come Again No More", "My Old Kentucky Home", "Old Black Joe", and "Beautiful Dreamer", remain popular over 150 years after their composition.
Stephen Foster was inducted into the Songwriters Hall of Fame in 1970.
"My Old Kentucky Home" is the official state song of Kentucky, adopted by the General Assembly on March 19, 1928. "Old Folks at Home" is the official state song of Florida, designated in 1935.
The melody of Foster's "Old Dog Tray" is incorporated into Puccini's opera La Fanciulla del West (as the aria Che faranno).
Eighteen of Foster's compositions were recorded and released on the Beautiful Dreamer: The Songs of Stephen Foster collection. Among the artists that are featured on the album are John Prine, Alison Krauss, Yo Yo Ma, Roger McGuinn, Mavis Staples and Suzy Bogguss. The album won the Grammy for Best Traditional Folk Album in 2005.
Douglas Jimerson, a tenor from Baltimore who has released CD's of music from the Civil War era, released Stephen Foster's America in 1998.
American singer-songwriter Chris Stuart penned and recorded "Dear Friends and Gentle Hearts," a mournful song about Foster's sad fate.
American classical composer Charles Ives freely quoted a wide variety of Foster's songs in many of his own works.
A Squirrel Nut Zippers song titled "The Ghost of Stephen Foster" features references to his most famous works, including "Camptown Races".
Stephen Foster was inducted into the Songwriters Hall of Fame in 1970.
"My Old Kentucky Home" is the official state song of Kentucky, adopted by the General Assembly on March 19, 1928. "Old Folks at Home" is the official state song of Florida, designated in 1935.
The melody of Foster's "Old Dog Tray" is incorporated into Puccini's opera La Fanciulla del West (as the aria Che faranno).
Eighteen of Foster's compositions were recorded and released on the Beautiful Dreamer: The Songs of Stephen Foster collection. Among the artists that are featured on the album are John Prine, Alison Krauss, Yo Yo Ma, Roger McGuinn, Mavis Staples and Suzy Bogguss. The album won the Grammy for Best Traditional Folk Album in 2005.
Douglas Jimerson, a tenor from Baltimore who has released CD's of music from the Civil War era, released Stephen Foster's America in 1998.
American singer-songwriter Chris Stuart penned and recorded "Dear Friends and Gentle Hearts," a mournful song about Foster's sad fate.
American classical composer Charles Ives freely quoted a wide variety of Foster's songs in many of his own works.
A Squirrel Nut Zippers song titled "The Ghost of Stephen Foster" features references to his most famous works, including "Camptown Races".
Bela Bartok
Béla Viktor János Bartók (pronounced /ˈbɑrtɒk/ (Wells 1990), Hungarian pronunciation: ) (March 25, 1881 – September 26, 1945) was a Hungarian composer and pianist. He is considered to be one of the greatest composers of the 20th century and is regarded, along with Liszt, as his country's greatest composer (Gillies 2001). Through his collection and analytical study of folk music, he was one of the founders of ethnomusicology.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Schumann
Robert Schumann, sometimes given as Robert Alexander Schumann, (June 8, 1810 – July 29, 1856) was a German composer, aesthete and influential music critic. He is one of the most famous Romantic composers of the 19th century.
He had hoped to pursue a career as a virtuoso pianist, having been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe after only a few years of study with him. However, a hand injury prevented those hopes from being realized, and he decided to focus his musical energies on composition. Schumann's published compositions were, until 1840, all for the piano; he later composed works for piano and orchestra, many lieder (songs for voice and piano), four symphonies, an opera, and other orchestral, choral and chamber works. His writings about music appeared mostly in the Neue Zeitschrift für Musik ("The New Journal for Music"), a Leipzig-based publication that he jointly founded.
In 1840, after a long and acrimonious legal battle with his piano instructor Friedrich Wieck, Schumann married Wieck's daughter, pianist Clara Wieck, a considerable figure of the Romantic period in her own right. Clara Wieck showcased many works by her husband as well. For the last two years of his life, after an attempted suicide, Schumann was confined to a mental institution.
He had hoped to pursue a career as a virtuoso pianist, having been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe after only a few years of study with him. However, a hand injury prevented those hopes from being realized, and he decided to focus his musical energies on composition. Schumann's published compositions were, until 1840, all for the piano; he later composed works for piano and orchestra, many lieder (songs for voice and piano), four symphonies, an opera, and other orchestral, choral and chamber works. His writings about music appeared mostly in the Neue Zeitschrift für Musik ("The New Journal for Music"), a Leipzig-based publication that he jointly founded.
In 1840, after a long and acrimonious legal battle with his piano instructor Friedrich Wieck, Schumann married Wieck's daughter, pianist Clara Wieck, a considerable figure of the Romantic period in her own right. Clara Wieck showcased many works by her husband as well. For the last two years of his life, after an attempted suicide, Schumann was confined to a mental institution.
Mshell Ndegeocello
Michelle Lynn Johnson, better known as Meshell Ndegeocello (/mɪˈʃɛl ndɛˈɡeɪoʊtʃɛloʊ/; born August 29, 1968), is an American singer-songwriter, rapper, and bassist. She has gone by the name Meshell Suhaila Bashir-Shakur which is used as a writing credit on some of her later work. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, and although she has never won a Grammy Award, she has been nominated ten times. She has been credited for helping to have "sparked the neo-soul movement."
Jean Sibelius
Jean Sibelius ( pronunciation (help·info)) (8 December 1865 – 20 September 1957) was a Finnish composer of the later Romantic period whose music played an important role in the formation of the Finnish national identity. His mastery of the orchestra has been described as "prodigious."
The core of Sibelius's oeuvre is his set of seven symphonies. Like Beethoven, Sibelius used each successive work to further develop his own personal compositional style. His works continue to be performed frequently in the concert hall and are often recorded.
In addition to the symphonies, Sibelius's best-known compositions include Finlandia, the Karelia Suite, Valse triste, the Violin Concerto in D minor and The Swan of Tuonela (one of the four movements of the Lemminkäinen Suite). Other works include pieces inspired by the Finnish national epic, the Kalevala; over 100 songs for voice and piano; incidental music for 13 plays; the opera Jungfrun i tornet (The Maiden in the Tower); chamber music; piano music; Masonic ritual music; and 21 separate publications of choral music.
The core of Sibelius's oeuvre is his set of seven symphonies. Like Beethoven, Sibelius used each successive work to further develop his own personal compositional style. His works continue to be performed frequently in the concert hall and are often recorded.
In addition to the symphonies, Sibelius's best-known compositions include Finlandia, the Karelia Suite, Valse triste, the Violin Concerto in D minor and The Swan of Tuonela (one of the four movements of the Lemminkäinen Suite). Other works include pieces inspired by the Finnish national epic, the Kalevala; over 100 songs for voice and piano; incidental music for 13 plays; the opera Jungfrun i tornet (The Maiden in the Tower); chamber music; piano music; Masonic ritual music; and 21 separate publications of choral music.
Luigi Boccherini
Ridolfo Luigi Boccherini (/ˌbɒkəˈriːni/, also US: /ˌboʊk-/, Italian: (About this soundlisten); 19 February 1743 – 28 May 1805) was an Italian, later Spanish, composer and cellist of the Classical era whose music retained a courtly and galante style even while he matured somewhat apart from the major European musical centers. He is best known for a minuet from his String Quintet in E, Op. 11, No. 5 (G 275), and the Cello Concerto in B flat major (G 482). The latter work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Traditional
Alex Kapranos
Alexander Paul Kapranos Huntley (born 20 March 1972) is a Scottish musician, singer, songwriter, record producer, and author. He is best known as the lead singer and guitarist of Scottish rock band Franz Ferdinand. He has also been a part of the supergroups FFS and BNQT.
Gabriel Faure
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist, and teacher. He was the foremost French composer of his generation, and his musical style influenced many 20th century composers. His harmonic and melodic language affected how harmony was later taught.
Ferruccio Busoni
Ferruccio Busoni is an Italian composer, pianist, piano and composition teacher and conductor. Date of birth: April 1, 1866, Empoli, Italy Date and place of death: July 27, 1924, Berlin, Germany Education: University of Music and Performing Arts, Vienna Books: Entwurf einer neuen Ästhetik der Tonkunst,
Yuki Kajiura
Yuki Kajiura (梶浦 由記 Kajiura Yuki?, born August 6, 1965 in Tokyo, Japan) is a Japanese composer and music producer. She has provided the music for several popular anime series, such as the final Kimagure Orange Road movie, Noir, .hack//Sign, Aquarian Age, Madlax, My-HiME, My-Otome, .hack//Roots, Pandora Hearts, Puella Magi Madoka Magica, Sword Art Online, Tsubasa Chronicle and the Kara no Kyoukai movies (amongst others). She also assisted Toshihiko Sahashi with Mobile Suit Gundam SEED and Mobile Suit Gundam SEED Destiny. Kajiura has also composed for video games, including the cutscene music for Xenosaga II and the entire Xenosaga III game soundtrack.
James Last
James Last (German pronunciation: dʃeɪms lɑːst]; born Hans Last; 17 April 1929 – 9 June 2015), also known as Hansi, was a German composer and big band leader of the James Last Orchestra. Initially a jazz bassist (Last won the award for "best bassist" in Germany in each of the years 1950–1952), his trademark "happy music" made his numerous albums best-sellers in Germany and the United Kingdom, with 65 of his albums reaching the charts in the UK alone. His composition "Happy Heart" became an international success in interpretations by Andy Williams and Petula Clark.
Charles Ives
Charles Edward Ives (/aɪvz/; October 20, 1874 – May 19, 1954) was an American modernist composer, one of the first American composers of international renown. His music was largely ignored during his early life, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized, and he came to be regarded as an "American original". He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones.
Henry Mancini
Henry Mancini (April 16, 1924 – June 14, 1994) was an American composer, conductor and arranger. He is remembered particularly for being a composer of film and television scores. Mancini also won a record number of Grammy awards, including a Grammy Lifetime Achievement Award in 1995. His best-known works are the jazz-idiom theme to The Pink Panther film series ("The Pink Panther Theme"), the Peter Gunn Theme (from the so-named series) and "Moon River".
Mancini was nominated for an unprecedented 72 Grammys, winning 20. Additionally he was nominated for 18 Academy Awards, winning four. He also won a Golden Globe Award and was nominated for two Emmys.
Mancini won a total of four Oscars for his music in the course of his career. He was first nominated for an Academy Award in 1955 for his original score of The Glenn Miller Story, on which he collaborated with Joseph Gershenson. He lost out to Adolph Deutsch and Saul Chaplin's Seven Brides for Seven Brothers. In 1962 he was nominated in the Best Music, Original Song category for "Bachelor in Paradise" from the film of the same name, in collaboration with lyricist Mack David. That song did not win. However, Mancini did receive two Oscars that year: one in the same category, for the song "Moon River" (shared with lyricist Johnny Mercer), and one for "Best Music, Scoring of a Dramatic or Comedy Picture" for Breakfast at Tiffany's. The following year, he and Mercer took another Best Song award for "Days of Wine and Roses," another eponymous theme song. His next eleven nominations went for naught, but he finally garnered one last statuette working with lyricist Leslie Bricusse on the score for Victor/Victoria, which won the "Best Music, Original Song Score and Its Adaptation or Best Adaptation Score" award for 1983. All three of the films for which he won were directed by Blake Edwards. His score for Victor/Victoria was adapted for the 1995 Broadway musical of the same name.
Mancini was nominated for an unprecedented 72 Grammys, winning 20. Additionally he was nominated for 18 Academy Awards, winning four. He also won a Golden Globe Award and was nominated for two Emmys.
Mancini won a total of four Oscars for his music in the course of his career. He was first nominated for an Academy Award in 1955 for his original score of The Glenn Miller Story, on which he collaborated with Joseph Gershenson. He lost out to Adolph Deutsch and Saul Chaplin's Seven Brides for Seven Brothers. In 1962 he was nominated in the Best Music, Original Song category for "Bachelor in Paradise" from the film of the same name, in collaboration with lyricist Mack David. That song did not win. However, Mancini did receive two Oscars that year: one in the same category, for the song "Moon River" (shared with lyricist Johnny Mercer), and one for "Best Music, Scoring of a Dramatic or Comedy Picture" for Breakfast at Tiffany's. The following year, he and Mercer took another Best Song award for "Days of Wine and Roses," another eponymous theme song. His next eleven nominations went for naught, but he finally garnered one last statuette working with lyricist Leslie Bricusse on the score for Victor/Victoria, which won the "Best Music, Original Song Score and Its Adaptation or Best Adaptation Score" award for 1983. All three of the films for which he won were directed by Blake Edwards. His score for Victor/Victoria was adapted for the 1995 Broadway musical of the same name.
Joshua Breakstone
Breakstone came into contact with the music business early in life through his parents and siblings. His sister was a lighting technician at the Fillmore East theater, where he saw musicians such as Jimi Hendrix and Frank Zappa. Later, he became interested in jazz and was influenced by Charlie Parker and Lee Morgan. He studied with guitarist Sal Salvador in Manhattan. In 1972, he enrolled at the New College of the University of South Florida and graduated three years later. He continued studies at Berklee College of Music.
Zac Brown Band
Zac Brown Band is an American country/rock band based in Atlanta, Georgia. The lineup consists of Zac Brown (lead vocals, guitar), Jimmy De Martini (fiddle, vocals), John Driskell Hopkins (bass guitar, guitar, baritone guitar, banjo, ukulele, upright bass, vocals), Coy Bowles (guitar, keyboards), Chris Fryar (drums), Clay Cook (guitar, keyboards, mandolin, steel guitar, vocals), Matt Mangano (bass guitar), and Daniel de los Reyes (percussion).
Jeff Lorber
Jeffrey H. Lorber (born November 4, 1952) is an American keyboardist, composer, and record producer. After six previous nominations, Lorber won his first Grammy Award on January 28, 2018 for Best Contemporary Instrumental Album for Prototype by his band The Jeff Lorber Fusion.Many of his songs have appeared on The Weather Channel's Local on the 8s segments and on the channel's compilation albums, The Weather Channel Presents: The Best of Smooth Jazz and The Weather Channel Presents: Smooth Jazz II. He was nominated for a Grammy Award for his album He Had a Hat (Blue Note, 2007)
Alison Krauss
Alison Krauss (born July 23, 1971 in Decatur, Illinois) is an American bluegrass-country singer and fiddler. She entered the music industry at an early age, winning local contests by the age of ten and recording for the first time at fourteen. She signed with Rounder Records in 1985 and released her first solo album in 1987. She was invited to join the band with which she still performs, Alison Krauss + Union Station (AKUS), and later released her first album with them as a group in 1989.
She has released eleven albums, appeared on numerous soundtracks, and helped renew interest in bluegrass music in the United States. Her soundtrack performances have led to further popularity, including the Grammy-winning O Brother, Where Art Thou? soundtrack, an album also credited with raising American interest in bluegrass, and the Cold Mountain soundtrack, which led to her performance at the 2004 Academy Awards. During her career she has won 26 Grammy Awards, making her the most awarded female artist (and the third most awarded artist overall) in Grammy history.
She has released eleven albums, appeared on numerous soundtracks, and helped renew interest in bluegrass music in the United States. Her soundtrack performances have led to further popularity, including the Grammy-winning O Brother, Where Art Thou? soundtrack, an album also credited with raising American interest in bluegrass, and the Cold Mountain soundtrack, which led to her performance at the 2004 Academy Awards. During her career she has won 26 Grammy Awards, making her the most awarded female artist (and the third most awarded artist overall) in Grammy history.
Johann Strauss
Johann Strauss I (March 14, 1804 – September 25, 1849; German: Johann Baptist Strauß, Johann Strauss (Vater); also Johann Baptist Strauss, Johann Strauss, Sr., the Elder, the Father), born in Vienna, was an Austrian Romantic composer famous for his waltzes, and for popularizing them alongside Joseph Lanner, thereby setting the foundations for his sons to carry on his musical dynasty. His most famous piece is probably the Radetzky March (named after Joseph Radetzky von Radetz), while his most famous waltz is probably the Lorelei Rheinklänge, Op. 154.
Eugène Bozza
Eugène Joseph Bozza was a French composer and violinist. He remains one of the most prolific composers of chamber music for wind instruments. Bozza’s large ensemble work includes five symphonies, operas, ballets, large choral work, wind band music, concertos, and much work for large brass or woodwind ensembles.
Grieg
Edvard Hagerup Grieg (/ɡriːɡ/ GREEG, Norwegian: ; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions brought the music of Norway to international consciousness, as well as helping to develop a national identity, much as Jean Sibelius and Bedřich Smetana did in Finland and Bohemia, respectively.
Grieg is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.
Grieg is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.
Vittorio Monti
Vittorio Monti (6 January 1868 – 20 June 1922) was an Italian composer, violinist, and conductor. Monti was born in Naples where he studied violin and composition at the Conservatorio di San Pietro a Majella. Around 1900 he got an assignment as the conductor for the Lamoureux Orchestra in Paris, where he wrote several ballets and operettas, for example Noël de Pierrot.
His only famous work is his Csárdás, written around 1904 and played by almost every gypsy orchestra.
His only famous work is his Csárdás, written around 1904 and played by almost every gypsy orchestra.
Eugene Ysaye
Eugène Ysaÿe (French: ; 16 July 1858 – 12 May 1931) was a Belgian violinist, composer and conductor. He was regarded as "The King of the Violin", or, as Nathan Milstein put it, the "tsar".
Isaac Albeniz
Isaac Albéniz i Pascual (Spanish pronunciation: ) (May 29, 1860 – May 18, 1909) was a Spanish pianist and composer best known for his piano works based on folk music.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Aqua timez
Aqua timezFutoshi and OKP-Star met on with9.com in 2000 and attempted to start a band together. Unable to agree on the band's future, the two disbanded. In 2003, the current band members gathered and formed Aqua Timez. Their first independent music mini album, Sora Ippai ni Kanaderu Inori, was released in August 2005.[3
Bill Evans
William John Evans, known as Bill Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist. His use of impressionist harmony, inventive interpretation of traditional jazz repertoire, and trademark rhythmically independent, "singing" melodic lines influenced a generation of pianists, including Chick Corea, Herbie Hancock, John Taylor, Steve Kuhn, Don Friedman, Denny Zeitlin, Bobo Stenson and Keith Jarrett, as well as guitarists Lenny Breau and Pat Metheny. The music of Bill Evans continues to inspire younger pianists like Marcin Wasilewski, Fred Hersch, Ray Reach, Bill Charlap, Lyle Mays, Eliane Elias and arguably Brad Mehldau, early in his career.
Evans is an inductee of the Down Beat Jazz Hall of Fame.
Evans is an inductee of the Down Beat Jazz Hall of Fame.
Kenny Garrett
Kenny Garrett is a Grammy Award-winning American post-bop jazz saxophonist and flautist who gained recognition in his youth as a member of the Duke Ellington Orchestra and of Miles Davis's band. Since then, he has pursued a solo career
Harry Connick Jr.
Joseph Harry Fowler Connick Jr. (born September 11, 1967) is an American singer, composer, actor, and television host. He has sold over 28 million albums worldwide. Connick is ranked among the top 60 best-selling male artists in the United States by the Recording Industry Association of America, with 16 million in certified sales. He has had seven top 20 US albums, and ten number-one US jazz albums, earning more number-one albums than any other artist in US jazz chart history.
Connick's best-selling album in the United States is his Christmas album When My Heart Finds Christmas (1993). His highest-charting album is his release Only You (2004), which reached No. 5 in the US and No. 6 in Britain. He has won three Grammy Awards and two Emmy Awards. He played Grace Adler’s husband, Leo Markus, on the NBC sitcom Will & Grace from 2002 to 2006.
Connick's best-selling album in the United States is his Christmas album When My Heart Finds Christmas (1993). His highest-charting album is his release Only You (2004), which reached No. 5 in the US and No. 6 in Britain. He has won three Grammy Awards and two Emmy Awards. He played Grace Adler’s husband, Leo Markus, on the NBC sitcom Will & Grace from 2002 to 2006.
Glenn Miller Orchestra
This article is about the band that Glenn Miller fronted. For the band that performed after his disappearance, see Glenn Miller Orchestra (1956–present).
Glenn Miller and His Orchestra
Glenn Miller Band.jpg
Glenn Miller and His Orchestra, on the set of Sun Valley Serenade, 1941
Background information
Genres Dance band, Swing
Years active April 1938 – September 1942
Labels
Bluebird Victor
Website www.glennmiller.com
Past members see members section
Glenn Miller and His Orchestra was an American swing dance band formed by Glenn Miller in 1938. Arranged around a clarinet and tenor saxophone playing melody, and three other saxophones playing harmony, the band became the most popular and commercially successful dance orchestra of the Swing era and one of the greatest singles charting acts of the 20th century.
Miller began professionally recording in New York City as a sideman in the Hot jazz era of the late 1920s. With the arrival of virtuoso trombonists Jack Teagarden and Tommy Dorsey, Miller focused more on developing his arrangement skills. Writing for contemporaries and future stars such as Artie Shaw, and Benny Goodman, Miller gained prowess as an arranger by working in a variety of settings. Later, Miller largely improved his arranging and writing skills by studying under music theorist Joseph Schillinger.
In February 1937, Miller started an orchestra that briefly made records for Decca. With this group, Miller used an arrangement he wrote for British bandleader Ray Noble's American band in an attempt to form a clarinet-reed sound. This style developed over time, and eventually became known as the Glenn Miller sound. Frustrated with his agency over playing inconsistent bookings and lacking broad radio exposure, Miller gave the band notice in December 1937. Less than three months later, he was looking for members and forming a new band.
Miller began a partnership with Eli Oberstein, which led directly to a contract with Victor subsidiary Bluebird Records. Gaining notoriety at such engagements as the Paradise Restaurant and Frank Dailey–owned Meadowbrook and their corresponding nationwide broadcasts, Miller struck enormous popularity playing the Glen Island Casino in the summer of 1939. From late 1939 to mid-1942, Miller was the number-one band in the country, with few true rivals. Only Harry James' band began to equal Miller's in popularity as he wound down his career in the wake of the Second World War. The AFM strike prevented Miller from making any new recordings in the last two months of his band's existence, and they formally disbanded at the end of September 1942.
Miller's short-term chart successes have seldom been duplicated and his group's unprecedented dominance of early Your Hit Parade and Billboard singles charts, resulting in 16 number-one singles and 69 Top Ten hits, foreshadowed future record-breaking chart acts such as Elvis Presley and The Beatles.
Contents
1 Musical success
1.1 Beginnings
1.2 Glen Island Casino and Meadowbrook
1.3 Nationwide popularity
2 Radio success
3 Chart success
4 Past members
5 Discography
5.1 Singles
6 See also
7 References
8 External links
Musical success
Beginnings
By March 1938, Glenn was planning to form a new group. The newly reformed band featured several longtime associates of Miller. From his first orchestra, Miller invited back Hal McIntyre, and hired Paul Tanner, Wilbur Schwartz, Ray Eberle (who was the younger brother of Jimmy Dorsey's vocalist Bob Eberly), and his old friend Chummy MacGregor. Miller's perseverance, business expertise, combined with a penchant for showmanship and musical taste, provided the faith for financiers Mike Nidorf and Cy Shribman. Miller used the 'clarinet-lead' sound as the foundation for his new band, and this caught the attention of students at Northeastern campuses. They opened on April 16, 1938, at Raymor Ballroom in Boston. When the band reached New York, they were billed below Freddie Fisher and His Schnickelfritzers, a dance band comedy routine. From Vincent Lopez's group came Marion Hutton, who added enthusiasm and energy in her performances. On September 7, 1938, the band made their first recordings, "My Reverie", "King Porter Stomp" and "By the Waters of Minnetonka", in two parts. Keeping up radio dates, Miller was only booked for 1 more session the rest of the year.
Glen Island Casino and Meadowbrook
In March 1939, the Glenn Miller Orchestra was given its big break, when they were chosen to play the summer season at the prestigious Glen Island Casino located on the north shore of Long Island Sound in New Rochelle, New York. Frank Dailey, manager of The Meadowbrook Ballroom in Cedar Grove, New Jersey, immediately booked the band for a four-week stay in March and April, before Glen Island. The band was well-received and within days Dailey picked up a three-week extension offer. During this time, Bluebird recording dates became more common and Glenn added drummer Maurice Purtill and trumpeter Dale "Mickey" McMickle to stabilize personnel. Opening at Glen Island on May 17, 1939, the casino's radio broadcast antenna ensured the Miller band was heard around the country. In late August, the end of their summer season, they had nationwide attention.
George T. Simon, writer and one-time drummer for Miller, spoke of the Glen Island broadcasts:
Glen Island was the prestige place for people who listened to bands on radio. The band's first semi hit, "Little Brown Jug", came out just when it opened at Glen Island. That helped. And the clarinet lead in Glenn's arrangements was such a romantic sound! It caught the public fancy during this exposure. Miller began ending his broadcasts from Glen Island with his "Something Old, Something New" medleys. But the most important thing for Glenn's success was that he recorded "In the Mood" while he was at the casino. That made him the Michael Jackson of his day.
Nationwide popularity
Capitalizing on newfound popularity, Miller decided to add a trombone and a trumpet, giving the band a fuller sound. On April 4, 1939, Miller and his orchestra recorded "Moonlight Serenade". Considered one of the top songs of the swing era, and Miller's best composition, it soon became the theme song to start and end all of his radio performances.
Miller's most popular track "In the Mood" was recorded August 1, 1939. Famous for its opening and bass riffs as well as its "dueling" saxophone solos between Tex Beneke and Al Klink, the song hit number one on the Billboard charts, staying for a total of 30 weeks. Joe Garland compiled the song from riffs he'd heard in other songs, and is credited on the label. Elements of "In the Mood" can be found in earlier jazz recordings, such as Jimmy O'Bryant's "Clarinet Getaway", Wingy Manone's "Tar Paper Stomp", and Fletcher Henderson's "Hot and Anxious." Garland put these pieces together and initially offered the song, in a six-minute form, to Artie Shaw. Despite playing it for radio broadcast, Shaw found no success with it in this form. Miller purchased the song in June 1939 and asked Eddie Durham to arrange it for his orchestra, and Miller made final tweaks in Victor studios. In a 2000 interview for npr, trombonist Paul Tanner remembered recording the song and playing it live:
He would say, "You fellas do this, and you fellas do that, and let's hear it once." And then, "We're gonna cut from this spot to this spot in the arrangement, and in here we're gonna put a trumpet solo. And in this spot and this spot we're gonna cut way down here and we're gonna have the two saxophones have a little battle in there," and decided to make cuts. And then at the end, Alice , if you know the arrangement, at the end there are all those false endings that go on, and it kept getting softer and softer until Glenn would give the drummer a clue and he would hit the cowbell and then we would know that the next time we were to come on very loud. And the dancers just loved it. He tried it out on the dances at the Glen Island Casino, and they loved it. They couldn't figure out how we knew when to come in loud. But, you know, I told them, "Well, we have a sixth sense of that sort of thing." But actually, what happened is the drummer hit the cowbell, and we knew the next time was loud. And this was all Glenn's doing.
On February 5, 1940, Miller recorded "Tuxedo Junction", which hit number one and reportedly sold 115,000 copies within the first week of release, and placed 7th overall for the National Hit Parade that year. Bob Eberly said that it "sold 90,000 copies in the first week, at a time when 25,000 was considered a great seller". In April, the band chant track "Pennsylvania 6-5000", referencing the phone number for the Hotel Pennsylvania, which housed the Café Rouge, a common engagement and broadcasting spot for the band, was released and it too became an instant swing standard.
On January 1, 1941, following tensions regarding licensing fees, radio networks banned ASCAP songs from live performance. Miller had to work to reform his radio programs for BMI published tunes, temporarily switching his theme to "Slumber Song". In early 1941, Marion Hutton left the band to go on maternity leave. In the meantime, Miller needed an additional female vocalist, and he offered Dorothy Claire, then with Bobby Byrne's band, twice her salary. Claire went to work for Miller, despite her signature on a three-year contract with Byrne in November 1940, and Miller ignored Byrne's wishes for compensation. Byrne then launched a $25,000 lawsuit against the Miller orchestra's business dealings. Miller met with Byrne in Columbus, Ohio sometime in early March and settled the dispute – Claire went back to working with Byrne's band. Miller soon hired The Modernaires from Paul Whiteman, who was disbanding his orchestra. Still in need of a female vocalist, the wife of Modernaire Hal Dickinson, Paula Kelly, who had sung previously with Al Donahue, stepped up to fill in the role. The signing of the Modernaires significantly benefitted the Miller organization. Hip and popular with young listeners, the Modernaires' vocal range added a new dimension to Miller's recordings.
In late March, Miller and his orchestra began work on their first motion picture, Sun Valley Serenade. Previously, swing films such as Hollywood Hotel with Benny Goodman's orchestra had only featured bands for song performances; Miller reportedly insisted, perhaps even to the extent of contract clauses, that the plot of Sun Valley revolve around the band rather than only feature them. Harry Warren and Mack Gordon were commissioned to write songs for the film. The Miller band filmed and recorded an extended song-and-dance number featuring the Nicholas Brothers for what was soon to be its biggest selling record, surprise hit "Chattanooga Choo Choo". Despite criticism of the plot, Sun Valley Serenade was received with general positivity from critics, and Miller earned praise for his band's role in the film, with Barry Ulanov writing for Metronome:
Miller comes across as a convincing band leader, and, even more important, a convincing human being in this film. He’s on mostly for music, but most of the film is music and the dozen or so reels are a better showcase for the Glenn Miller band than they are for the Sonja Henie torso and limbs, with and without skates. Never has a movie made more of a popular band and never has a movie featuring such an organization presented its music so tastefully... Pictorially, Trigger Alpert and Maurice Purtill take the honors. Trigger hops around like mad and Maurice looks like the movies’ idea of a swing drummer, all right. They stay within the bounds of good taste, however ... the story is believable, and happily centers around the band, so that the whole thing is a triumph for Glenn Miller and the band.
Billboard top 10 chart for January 24, 1942, where Glenn Miller and His Orchestra hold five of the slots.
In October, ASCAP and the radio networks agreed on a new rate, and the band could finally play "Chattanooga" and their other songs on radio. W. Wallace Early, the manager of record sales for RCA Victor and Bluebird Records, presented the first ever gold record to Miller on February 10, 1942, saying:
It's a pleasure to be here tonight. And speaking of RCA Victor, we're mighty proud of that Chattanooga Choo Choo, and the man that made the record, Glenn Miller. You see it's been a long time – 15 years in fact – since any record has sold a million copies. And Chattanooga Choo Choo certainly put on steam and breezed right through that million mark by over 200,000 pressings. And we decided that Glenn should get a trophy. The best one we could think of is a gold record of Chattanooga. And now Glenn, it's yours – with the best wishes of RCA Victor Bluebird Records.
After the Pearl Harbor attack, Miller began incorporating more patriotic themes into his radio shows and recordings.
In early 1942, the band was upgraded from Bluebird to full-price Victor Records. Following very closely in the footsteps of its predecessor, the Miller band started work on their second film, Orchestra Wives in March. Once again, Gordon and Warren were recalled to compose the songs. The previous year, both had composed "At Last" but couldn't place it into Sun Valley Serenade. They worked over the arrangement, and it was displayed prominently in Orchestra Wives. Years later, it became a standard when recorded by Etta James. Akin to "Chattanooga", "(I've Got a Gal In) Kalamazoo" was filmed as a song and dance number featuring the Nicholas Brothers and also sold a million pressings, with Billboard ranking it among the most popular records of the year.
In mid–July, Miller and the band recorded thirteen sides, as James Petrillo, chief of the musicians' union, embarked on a 28-month recording ban. The strike prevented Miller from making additional records in his career, although Victor slowly released the last set of tracks, with "That Old Black Magic" hitting number one in May 1943, over eight months after his band ceased to exist.
Miller began privately sending letters to the Armed Forces in attempts to lead a modern military band. Accepted into the United States Navy and later transferred to the Army Air Forces, in early September he broke the news to the band and later that month they played their last radio shows. Miller surrendered his Chesterfield radio slot to Harry James.
Radio success
Radio played a pivotal role in the success of Miller and His Orchestra. Featured heavily on the format during their existence, many of their earlier programs from such venues as the Paradise Restaurant, Glen Island and the Meadowbrook Ballroom used remote connections to the National Broadcasting Company, on both NBC–Red and NBC–Blue.
The makers of Chesterfield Cigarettes hosted a half-hour radio show on CBS that featured King of Jazz Paul Whiteman. Whiteman decided to retire and recommended Glenn as a replacement. On December 27, 1939, Miller took over the program as Chesterfield Moonlight Serenade. During the first 13 weeks, The Andrews Sisters were featured as Chesterfield were worried over whether Miller could sustain his popularity. Their fear subsided, and the program, reformatted for 15 minutes, aired Tuesday, Wednesday and Thursday nights at 10:15pm. Miller and his band held the slot until their disbandment in 1942.
In 1940, the band broadcast from the first time from the Café Rouge at the Hotel Pennsylvania, soon to become a regular booking and a host of long-term engagements. By then, the Miller band had several NBC sustaining broadcasts in addition to three CBS programs, reaching American homes 6–7 days a week. In August, Miller's orchestra had an hour-long program on NBC–Blue, Glenn Miller's Sunset Serenade featuring prizes Miller paid for out-of-pocket. A review in Billboard commented, "Unusual length of the program allows Miller to display all the top items in his library."
Chart success
According to Paul Albone, of the 121 singles by Glenn Miller and His Orchestra that made the charts, 69 were Top Ten hits, and 16 reached number-one. In just a 4-year career, Miller and His Orchestra's songs spent a cumulative total of 664 weeks, nearly thirteen years, on the charts, 79 of which were at the number-one position. Miller also has the distinction of three posthumous albums reaching number-one on Billboard charts: Glenn Miller in 1945, its follow-up in 1947, and his original recordings repackaged for the release of The Glenn Miller Story in 1954.
Past members
Ray Anthony, who played trumpet with the band from 1940 to 1941, is the last surviving member as of 2019.
Discography
See also: Glenn Miller discography
Singles
Million-selling singles:
1939: "Little Brown Jug"
1939: "Moonlight Serenade"
1939: "In the Mood"
1940: "Tuxedo Junction"
1940: "Pennsylvania 6-5000"
1941: "Chattanooga Choo Choo"
1941: "A String of Pearls"
1941: "Moonlight Cocktail"
1942: "American Patrol"
1942: "(I've Got a Gal In) Kalamazoo"
See also
Glenn Miller
Swing music
Bandleader
Big band
References
"A Portrait of Glenn Miller" (PDF). www.colorado.edu. Glenn Miller Archive.
Gilliland, John (1994). Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s (audiobook). ISBN 978-1-55935-147-8. OCLC 31611854. Tape 2, side A.
"Top Ten Hits 1939-1943" (PDF). colorado.edu. Glenn Miller Archive. September 2017. Retrieved October 12, 2018.
"Captain Swing - Glenn Miller - America in WWII magazine". www.americainwwii.com.
"A Bluebird Reverie – The First RCA Session". 1 April 2014.
Settlemier, Tyrone. "The Online 78 rpm Discographical Project". www.78discography.com.
"POP/JAZZ; GLENN MILLER SOUND OF 1939 AT GLEN ISLAND CASINO".
"Glenn Miller Orchestra – History". glennmillerorchestra.com.
http://ww Archived 2013-07-12 at the Wayback Machine w.glennmiller.com/index.php
"Army Band Hits High Note With Community".
Tsort. "Song title 150 - In the Mood". tsort.info.
""In the Mood"—Glenn Miller (1939)" (PDF). Library of Congress.
Spragg, Dennis. "In the Mood" (PDF). www.colorado.edu. Glenn Miller Archive.
"'In the Mood'". National Public Radio.
Simon, George T. Glenn Miller and His Orchestra. NY: Crowell, 1974.
Spragg, Dennis. "Sun Valley Serenade 75th Anniversary Commemoration" (PDF). Glenn Miller Archive.
Crowther, Bosley. "Sonia Henie in 'Sun Valley Serenade,' a Sparkling and Melodious Outdoor Picture, at the Roxy". The New York Times.
Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 4. ISBN 0-214-20512-6.
"Radio Recordings" (PDF). colorado.edu. Glenn Miller Archive.
Carter, Dick (January 3, 1942). "On the Air: Glenn Miller". Billboard. Retrieved 26 October 2014.
Whitburn, Joel. Pop Memories (1900-1940). Record Research.
Whitburn, Joel (2015). Pop Hits Singles and Albums, 1940-1954. Record Research. ISBN 978-0-89820-198-7.
Popa, Christopher. "Record Sales". Big Band Library.
External links
Wikimedia Commons has media related to Glenn Miller Orchestra.
Website of past vocalist Eileen Burns
YouTube Videos from 1983 GMO US and Japan Tour
vte
Glenn Miller and His Orchestra
Discography Timeline of members, 1938–1942
Number one hits
1939
"Wishing (Will Make It So)" "Stairway to the Stars" "Moon Love" "Over the Rainbow" "The Man With the Mandolin" "Blue Orchids" "In the Mood"
1940
"Tuxedo Junction" "The Woodpecker Song"
1941
"Song of the Volga Boatmen" "Chattanooga Choo Choo" "Elmer's Tune"
1942
"A String of Pearls" "Moonlight Cocktail" "(I've Got a Gal In) Kalamazoo"
1943
"That Old Black Magic"
Albums
Up Swing (1944) Smoke Rings (1944) Glenn Miller (1945) Glenn Miller Masterpieces, Volume II (1947) Glenn Miller Plays Selections From the Film "The Glenn Miller Story" (1954) The Glenn Miller Carnegie Hall Concert (1958) Pure Gold (1975)
Members
Vocalists
Marion Hutton Ray Eberle Tex Beneke Jack Lathrop Ernie Caceres Kay Starr Dorothy Claire Paula Kelly The Modernaires Skip Nelson
Musicians
Al Klink Al Mastren Paul Tanner Toby Tyler Tommy Mack Frank D’Annolfo Howard Gibeling Jimmy Priddy Wilbur Schwartz Stanley Aronson Hal McIntyre Tex Beneke Ernie Caceres Jimmy Abato Gabe Galinas Hal Tennyson Benny Feman Babe Russin Skip Martin Johnny Austin Lou Mucci Bob Price Charlie Hill Legh Knowles Mickey McMickle Clyde Hurley Johnny Best Zeke Zarchy Charles Frankhauser Billy May Ray Anthony Alec Fila Bill Graham Steve Lipkins Allan Reuss Arthur Ens Dick Fisher Jack Lathrop Bobby Hackett Bill Conway Chummy MacGregor Bob Spangler Cody Sandifer Frankie Carlson Maurice Purtill Rollie Bundock Tony Carlson Trigger Alpert Doc Goldberg
Arrangers
Jerry Gray Bill Finegan Glenn Miller Billy May
Composers
Glenn Miller Harry Warren Mack Gordon
Army Air Force
band alumni
The Crew Chiefs Addison Collins Jr. Johnny Desmond Peanuts Hucko Jack Lathrop Norman Leyden Ray McKinley Artie Malvin Ralph Patt Mel Powell George Siravo Charlie Spivak
Media
Films
Sun Valley Serenade (1941) Orchestra Wives (1942) The Glenn Miller Story (1954)
Publications
125 Jazz Breaks for Trombone (1927) Glenn Miller's Method for Orchestral Arranging (1943)
Related
List of songs written by Glenn Miller Dorsey Brothers Orchestra The Glenn Miller Story (Decca) (1954) Glenn Miller Orchestra (1956–present) Glenn Miller Time
Authority control Edit this at Wikidata
ISNI: 0000 0001 1536 8834 MusicBrainz: 9b87c1f6-23ae-469b-b710-ea5da2d3f848
Glenn Miller and His Orchestra
Glenn Miller Band.jpg
Glenn Miller and His Orchestra, on the set of Sun Valley Serenade, 1941
Background information
Genres Dance band, Swing
Years active April 1938 – September 1942
Labels
Bluebird Victor
Website www.glennmiller.com
Past members see members section
Glenn Miller and His Orchestra was an American swing dance band formed by Glenn Miller in 1938. Arranged around a clarinet and tenor saxophone playing melody, and three other saxophones playing harmony, the band became the most popular and commercially successful dance orchestra of the Swing era and one of the greatest singles charting acts of the 20th century.
Miller began professionally recording in New York City as a sideman in the Hot jazz era of the late 1920s. With the arrival of virtuoso trombonists Jack Teagarden and Tommy Dorsey, Miller focused more on developing his arrangement skills. Writing for contemporaries and future stars such as Artie Shaw, and Benny Goodman, Miller gained prowess as an arranger by working in a variety of settings. Later, Miller largely improved his arranging and writing skills by studying under music theorist Joseph Schillinger.
In February 1937, Miller started an orchestra that briefly made records for Decca. With this group, Miller used an arrangement he wrote for British bandleader Ray Noble's American band in an attempt to form a clarinet-reed sound. This style developed over time, and eventually became known as the Glenn Miller sound. Frustrated with his agency over playing inconsistent bookings and lacking broad radio exposure, Miller gave the band notice in December 1937. Less than three months later, he was looking for members and forming a new band.
Miller began a partnership with Eli Oberstein, which led directly to a contract with Victor subsidiary Bluebird Records. Gaining notoriety at such engagements as the Paradise Restaurant and Frank Dailey–owned Meadowbrook and their corresponding nationwide broadcasts, Miller struck enormous popularity playing the Glen Island Casino in the summer of 1939. From late 1939 to mid-1942, Miller was the number-one band in the country, with few true rivals. Only Harry James' band began to equal Miller's in popularity as he wound down his career in the wake of the Second World War. The AFM strike prevented Miller from making any new recordings in the last two months of his band's existence, and they formally disbanded at the end of September 1942.
Miller's short-term chart successes have seldom been duplicated and his group's unprecedented dominance of early Your Hit Parade and Billboard singles charts, resulting in 16 number-one singles and 69 Top Ten hits, foreshadowed future record-breaking chart acts such as Elvis Presley and The Beatles.
Contents
1 Musical success
1.1 Beginnings
1.2 Glen Island Casino and Meadowbrook
1.3 Nationwide popularity
2 Radio success
3 Chart success
4 Past members
5 Discography
5.1 Singles
6 See also
7 References
8 External links
Musical success
Beginnings
By March 1938, Glenn was planning to form a new group. The newly reformed band featured several longtime associates of Miller. From his first orchestra, Miller invited back Hal McIntyre, and hired Paul Tanner, Wilbur Schwartz, Ray Eberle (who was the younger brother of Jimmy Dorsey's vocalist Bob Eberly), and his old friend Chummy MacGregor. Miller's perseverance, business expertise, combined with a penchant for showmanship and musical taste, provided the faith for financiers Mike Nidorf and Cy Shribman. Miller used the 'clarinet-lead' sound as the foundation for his new band, and this caught the attention of students at Northeastern campuses. They opened on April 16, 1938, at Raymor Ballroom in Boston. When the band reached New York, they were billed below Freddie Fisher and His Schnickelfritzers, a dance band comedy routine. From Vincent Lopez's group came Marion Hutton, who added enthusiasm and energy in her performances. On September 7, 1938, the band made their first recordings, "My Reverie", "King Porter Stomp" and "By the Waters of Minnetonka", in two parts. Keeping up radio dates, Miller was only booked for 1 more session the rest of the year.
Glen Island Casino and Meadowbrook
In March 1939, the Glenn Miller Orchestra was given its big break, when they were chosen to play the summer season at the prestigious Glen Island Casino located on the north shore of Long Island Sound in New Rochelle, New York. Frank Dailey, manager of The Meadowbrook Ballroom in Cedar Grove, New Jersey, immediately booked the band for a four-week stay in March and April, before Glen Island. The band was well-received and within days Dailey picked up a three-week extension offer. During this time, Bluebird recording dates became more common and Glenn added drummer Maurice Purtill and trumpeter Dale "Mickey" McMickle to stabilize personnel. Opening at Glen Island on May 17, 1939, the casino's radio broadcast antenna ensured the Miller band was heard around the country. In late August, the end of their summer season, they had nationwide attention.
George T. Simon, writer and one-time drummer for Miller, spoke of the Glen Island broadcasts:
Glen Island was the prestige place for people who listened to bands on radio. The band's first semi hit, "Little Brown Jug", came out just when it opened at Glen Island. That helped. And the clarinet lead in Glenn's arrangements was such a romantic sound! It caught the public fancy during this exposure. Miller began ending his broadcasts from Glen Island with his "Something Old, Something New" medleys. But the most important thing for Glenn's success was that he recorded "In the Mood" while he was at the casino. That made him the Michael Jackson of his day.
Nationwide popularity
Capitalizing on newfound popularity, Miller decided to add a trombone and a trumpet, giving the band a fuller sound. On April 4, 1939, Miller and his orchestra recorded "Moonlight Serenade". Considered one of the top songs of the swing era, and Miller's best composition, it soon became the theme song to start and end all of his radio performances.
Miller's most popular track "In the Mood" was recorded August 1, 1939. Famous for its opening and bass riffs as well as its "dueling" saxophone solos between Tex Beneke and Al Klink, the song hit number one on the Billboard charts, staying for a total of 30 weeks. Joe Garland compiled the song from riffs he'd heard in other songs, and is credited on the label. Elements of "In the Mood" can be found in earlier jazz recordings, such as Jimmy O'Bryant's "Clarinet Getaway", Wingy Manone's "Tar Paper Stomp", and Fletcher Henderson's "Hot and Anxious." Garland put these pieces together and initially offered the song, in a six-minute form, to Artie Shaw. Despite playing it for radio broadcast, Shaw found no success with it in this form. Miller purchased the song in June 1939 and asked Eddie Durham to arrange it for his orchestra, and Miller made final tweaks in Victor studios. In a 2000 interview for npr, trombonist Paul Tanner remembered recording the song and playing it live:
He would say, "You fellas do this, and you fellas do that, and let's hear it once." And then, "We're gonna cut from this spot to this spot in the arrangement, and in here we're gonna put a trumpet solo. And in this spot and this spot we're gonna cut way down here and we're gonna have the two saxophones have a little battle in there," and decided to make cuts. And then at the end, Alice , if you know the arrangement, at the end there are all those false endings that go on, and it kept getting softer and softer until Glenn would give the drummer a clue and he would hit the cowbell and then we would know that the next time we were to come on very loud. And the dancers just loved it. He tried it out on the dances at the Glen Island Casino, and they loved it. They couldn't figure out how we knew when to come in loud. But, you know, I told them, "Well, we have a sixth sense of that sort of thing." But actually, what happened is the drummer hit the cowbell, and we knew the next time was loud. And this was all Glenn's doing.
On February 5, 1940, Miller recorded "Tuxedo Junction", which hit number one and reportedly sold 115,000 copies within the first week of release, and placed 7th overall for the National Hit Parade that year. Bob Eberly said that it "sold 90,000 copies in the first week, at a time when 25,000 was considered a great seller". In April, the band chant track "Pennsylvania 6-5000", referencing the phone number for the Hotel Pennsylvania, which housed the Café Rouge, a common engagement and broadcasting spot for the band, was released and it too became an instant swing standard.
On January 1, 1941, following tensions regarding licensing fees, radio networks banned ASCAP songs from live performance. Miller had to work to reform his radio programs for BMI published tunes, temporarily switching his theme to "Slumber Song". In early 1941, Marion Hutton left the band to go on maternity leave. In the meantime, Miller needed an additional female vocalist, and he offered Dorothy Claire, then with Bobby Byrne's band, twice her salary. Claire went to work for Miller, despite her signature on a three-year contract with Byrne in November 1940, and Miller ignored Byrne's wishes for compensation. Byrne then launched a $25,000 lawsuit against the Miller orchestra's business dealings. Miller met with Byrne in Columbus, Ohio sometime in early March and settled the dispute – Claire went back to working with Byrne's band. Miller soon hired The Modernaires from Paul Whiteman, who was disbanding his orchestra. Still in need of a female vocalist, the wife of Modernaire Hal Dickinson, Paula Kelly, who had sung previously with Al Donahue, stepped up to fill in the role. The signing of the Modernaires significantly benefitted the Miller organization. Hip and popular with young listeners, the Modernaires' vocal range added a new dimension to Miller's recordings.
In late March, Miller and his orchestra began work on their first motion picture, Sun Valley Serenade. Previously, swing films such as Hollywood Hotel with Benny Goodman's orchestra had only featured bands for song performances; Miller reportedly insisted, perhaps even to the extent of contract clauses, that the plot of Sun Valley revolve around the band rather than only feature them. Harry Warren and Mack Gordon were commissioned to write songs for the film. The Miller band filmed and recorded an extended song-and-dance number featuring the Nicholas Brothers for what was soon to be its biggest selling record, surprise hit "Chattanooga Choo Choo". Despite criticism of the plot, Sun Valley Serenade was received with general positivity from critics, and Miller earned praise for his band's role in the film, with Barry Ulanov writing for Metronome:
Miller comes across as a convincing band leader, and, even more important, a convincing human being in this film. He’s on mostly for music, but most of the film is music and the dozen or so reels are a better showcase for the Glenn Miller band than they are for the Sonja Henie torso and limbs, with and without skates. Never has a movie made more of a popular band and never has a movie featuring such an organization presented its music so tastefully... Pictorially, Trigger Alpert and Maurice Purtill take the honors. Trigger hops around like mad and Maurice looks like the movies’ idea of a swing drummer, all right. They stay within the bounds of good taste, however ... the story is believable, and happily centers around the band, so that the whole thing is a triumph for Glenn Miller and the band.
Billboard top 10 chart for January 24, 1942, where Glenn Miller and His Orchestra hold five of the slots.
In October, ASCAP and the radio networks agreed on a new rate, and the band could finally play "Chattanooga" and their other songs on radio. W. Wallace Early, the manager of record sales for RCA Victor and Bluebird Records, presented the first ever gold record to Miller on February 10, 1942, saying:
It's a pleasure to be here tonight. And speaking of RCA Victor, we're mighty proud of that Chattanooga Choo Choo, and the man that made the record, Glenn Miller. You see it's been a long time – 15 years in fact – since any record has sold a million copies. And Chattanooga Choo Choo certainly put on steam and breezed right through that million mark by over 200,000 pressings. And we decided that Glenn should get a trophy. The best one we could think of is a gold record of Chattanooga. And now Glenn, it's yours – with the best wishes of RCA Victor Bluebird Records.
After the Pearl Harbor attack, Miller began incorporating more patriotic themes into his radio shows and recordings.
In early 1942, the band was upgraded from Bluebird to full-price Victor Records. Following very closely in the footsteps of its predecessor, the Miller band started work on their second film, Orchestra Wives in March. Once again, Gordon and Warren were recalled to compose the songs. The previous year, both had composed "At Last" but couldn't place it into Sun Valley Serenade. They worked over the arrangement, and it was displayed prominently in Orchestra Wives. Years later, it became a standard when recorded by Etta James. Akin to "Chattanooga", "(I've Got a Gal In) Kalamazoo" was filmed as a song and dance number featuring the Nicholas Brothers and also sold a million pressings, with Billboard ranking it among the most popular records of the year.
In mid–July, Miller and the band recorded thirteen sides, as James Petrillo, chief of the musicians' union, embarked on a 28-month recording ban. The strike prevented Miller from making additional records in his career, although Victor slowly released the last set of tracks, with "That Old Black Magic" hitting number one in May 1943, over eight months after his band ceased to exist.
Miller began privately sending letters to the Armed Forces in attempts to lead a modern military band. Accepted into the United States Navy and later transferred to the Army Air Forces, in early September he broke the news to the band and later that month they played their last radio shows. Miller surrendered his Chesterfield radio slot to Harry James.
Radio success
Radio played a pivotal role in the success of Miller and His Orchestra. Featured heavily on the format during their existence, many of their earlier programs from such venues as the Paradise Restaurant, Glen Island and the Meadowbrook Ballroom used remote connections to the National Broadcasting Company, on both NBC–Red and NBC–Blue.
The makers of Chesterfield Cigarettes hosted a half-hour radio show on CBS that featured King of Jazz Paul Whiteman. Whiteman decided to retire and recommended Glenn as a replacement. On December 27, 1939, Miller took over the program as Chesterfield Moonlight Serenade. During the first 13 weeks, The Andrews Sisters were featured as Chesterfield were worried over whether Miller could sustain his popularity. Their fear subsided, and the program, reformatted for 15 minutes, aired Tuesday, Wednesday and Thursday nights at 10:15pm. Miller and his band held the slot until their disbandment in 1942.
In 1940, the band broadcast from the first time from the Café Rouge at the Hotel Pennsylvania, soon to become a regular booking and a host of long-term engagements. By then, the Miller band had several NBC sustaining broadcasts in addition to three CBS programs, reaching American homes 6–7 days a week. In August, Miller's orchestra had an hour-long program on NBC–Blue, Glenn Miller's Sunset Serenade featuring prizes Miller paid for out-of-pocket. A review in Billboard commented, "Unusual length of the program allows Miller to display all the top items in his library."
Chart success
According to Paul Albone, of the 121 singles by Glenn Miller and His Orchestra that made the charts, 69 were Top Ten hits, and 16 reached number-one. In just a 4-year career, Miller and His Orchestra's songs spent a cumulative total of 664 weeks, nearly thirteen years, on the charts, 79 of which were at the number-one position. Miller also has the distinction of three posthumous albums reaching number-one on Billboard charts: Glenn Miller in 1945, its follow-up in 1947, and his original recordings repackaged for the release of The Glenn Miller Story in 1954.
Past members
Ray Anthony, who played trumpet with the band from 1940 to 1941, is the last surviving member as of 2019.
Discography
See also: Glenn Miller discography
Singles
Million-selling singles:
1939: "Little Brown Jug"
1939: "Moonlight Serenade"
1939: "In the Mood"
1940: "Tuxedo Junction"
1940: "Pennsylvania 6-5000"
1941: "Chattanooga Choo Choo"
1941: "A String of Pearls"
1941: "Moonlight Cocktail"
1942: "American Patrol"
1942: "(I've Got a Gal In) Kalamazoo"
See also
Glenn Miller
Swing music
Bandleader
Big band
References
"A Portrait of Glenn Miller" (PDF). www.colorado.edu. Glenn Miller Archive.
Gilliland, John (1994). Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s (audiobook). ISBN 978-1-55935-147-8. OCLC 31611854. Tape 2, side A.
"Top Ten Hits 1939-1943" (PDF). colorado.edu. Glenn Miller Archive. September 2017. Retrieved October 12, 2018.
"Captain Swing - Glenn Miller - America in WWII magazine". www.americainwwii.com.
"A Bluebird Reverie – The First RCA Session". 1 April 2014.
Settlemier, Tyrone. "The Online 78 rpm Discographical Project". www.78discography.com.
"POP/JAZZ; GLENN MILLER SOUND OF 1939 AT GLEN ISLAND CASINO".
"Glenn Miller Orchestra – History". glennmillerorchestra.com.
http://ww Archived 2013-07-12 at the Wayback Machine w.glennmiller.com/index.php
"Army Band Hits High Note With Community".
Tsort. "Song title 150 - In the Mood". tsort.info.
""In the Mood"—Glenn Miller (1939)" (PDF). Library of Congress.
Spragg, Dennis. "In the Mood" (PDF). www.colorado.edu. Glenn Miller Archive.
"'In the Mood'". National Public Radio.
Simon, George T. Glenn Miller and His Orchestra. NY: Crowell, 1974.
Spragg, Dennis. "Sun Valley Serenade 75th Anniversary Commemoration" (PDF). Glenn Miller Archive.
Crowther, Bosley. "Sonia Henie in 'Sun Valley Serenade,' a Sparkling and Melodious Outdoor Picture, at the Roxy". The New York Times.
Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 4. ISBN 0-214-20512-6.
"Radio Recordings" (PDF). colorado.edu. Glenn Miller Archive.
Carter, Dick (January 3, 1942). "On the Air: Glenn Miller". Billboard. Retrieved 26 October 2014.
Whitburn, Joel. Pop Memories (1900-1940). Record Research.
Whitburn, Joel (2015). Pop Hits Singles and Albums, 1940-1954. Record Research. ISBN 978-0-89820-198-7.
Popa, Christopher. "Record Sales". Big Band Library.
External links
Wikimedia Commons has media related to Glenn Miller Orchestra.
Website of past vocalist Eileen Burns
YouTube Videos from 1983 GMO US and Japan Tour
vte
Glenn Miller and His Orchestra
Discography Timeline of members, 1938–1942
Number one hits
1939
"Wishing (Will Make It So)" "Stairway to the Stars" "Moon Love" "Over the Rainbow" "The Man With the Mandolin" "Blue Orchids" "In the Mood"
1940
"Tuxedo Junction" "The Woodpecker Song"
1941
"Song of the Volga Boatmen" "Chattanooga Choo Choo" "Elmer's Tune"
1942
"A String of Pearls" "Moonlight Cocktail" "(I've Got a Gal In) Kalamazoo"
1943
"That Old Black Magic"
Albums
Up Swing (1944) Smoke Rings (1944) Glenn Miller (1945) Glenn Miller Masterpieces, Volume II (1947) Glenn Miller Plays Selections From the Film "The Glenn Miller Story" (1954) The Glenn Miller Carnegie Hall Concert (1958) Pure Gold (1975)
Members
Vocalists
Marion Hutton Ray Eberle Tex Beneke Jack Lathrop Ernie Caceres Kay Starr Dorothy Claire Paula Kelly The Modernaires Skip Nelson
Musicians
Al Klink Al Mastren Paul Tanner Toby Tyler Tommy Mack Frank D’Annolfo Howard Gibeling Jimmy Priddy Wilbur Schwartz Stanley Aronson Hal McIntyre Tex Beneke Ernie Caceres Jimmy Abato Gabe Galinas Hal Tennyson Benny Feman Babe Russin Skip Martin Johnny Austin Lou Mucci Bob Price Charlie Hill Legh Knowles Mickey McMickle Clyde Hurley Johnny Best Zeke Zarchy Charles Frankhauser Billy May Ray Anthony Alec Fila Bill Graham Steve Lipkins Allan Reuss Arthur Ens Dick Fisher Jack Lathrop Bobby Hackett Bill Conway Chummy MacGregor Bob Spangler Cody Sandifer Frankie Carlson Maurice Purtill Rollie Bundock Tony Carlson Trigger Alpert Doc Goldberg
Arrangers
Jerry Gray Bill Finegan Glenn Miller Billy May
Composers
Glenn Miller Harry Warren Mack Gordon
Army Air Force
band alumni
The Crew Chiefs Addison Collins Jr. Johnny Desmond Peanuts Hucko Jack Lathrop Norman Leyden Ray McKinley Artie Malvin Ralph Patt Mel Powell George Siravo Charlie Spivak
Media
Films
Sun Valley Serenade (1941) Orchestra Wives (1942) The Glenn Miller Story (1954)
Publications
125 Jazz Breaks for Trombone (1927) Glenn Miller's Method for Orchestral Arranging (1943)
Related
List of songs written by Glenn Miller Dorsey Brothers Orchestra The Glenn Miller Story (Decca) (1954) Glenn Miller Orchestra (1956–present) Glenn Miller Time
Authority control Edit this at Wikidata
ISNI: 0000 0001 1536 8834 MusicBrainz: 9b87c1f6-23ae-469b-b710-ea5da2d3f848
ZZ Top
ZZ Top is an American music group founded in 1969 in Houston, Texas. The group consists of Billy Gibbons, Dusty Hill and Frank Beard. Blues Rock, rock and Hard Rock style band members, especially beards, hats and wide sunglasses attract attention.
Antonin Dvorak
Antonín Leopold Dvořák (English pronunciation: /ˈdvɒrʒɑːk/ DVOR-zhahk or /ˈdvɒrʒæk/ DVOR-zhak; Czech: ( listen); September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms of the folk music of Moravia and his native Bohemia. His works include operas, symphonic, choral and chamber music. His best-known works include his New World Symphony, the Slavonic Dances, "American" String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (of which the best known is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (of which the best known is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Lee Konitz
Leon Konitz (October 13, 1927 – April 15, 2020) was an American composer and alto saxophonist.He performed successfully in a wide range of jazz styles, including bebop, cool jazz, and avant-garde jazz. Konitz's association with the cool jazz movement of the 1940s and 1950s includes participation in Miles Davis's Birth of the Cool sessions and his work with pianist Lennie Tristano. He was one of relatively few alto saxophonists of this era to retain a distinctive style, when Charlie Parker exerted a massive influence.
Giulio Caccini
Giulio Romolo Caccini (also Giulio Romano) (Rome, 8 October 1551 – Florence, buried 10 December 1618) was an Italian composer, teacher, singer, instrumentalist and writer of the late Renaissance and early Baroque eras. He was one of the founders of the genre of opera, and one of the most influential creators of the new Baroque style. He was also the father of the composer Francesca Caccini and the singer Settimia Caccini.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Yasunori Mitsuda
Yasunori Mitsuda (光田 康典 Mitsuda Yasunori?, born January 21, 1972) is a Japanese video game composer, sound programmer, and musician. He has composed music for or worked on over 35 games, and has contributed to over 15 other albums. He is best known for his compositions for the video games Chrono Trigger, Chrono Cross, Shadow Hearts, Shadow Hearts: Covenant, Xenogears, Xenosaga Episode I, and Mario Party. He began composing video game music for his own games in high school, and after graduation attended Junior College of Music in Tokyo. In 1992 upon graduation he joined Square (now Square Enix) as a composer after seeing a magazine advertisement in an office he was visiting with his professor.
Despite his job title as a composer, Mitsuda worked for two years as a sound engineer. In 1994, after threatening to quit to Square's vice president, Hironobu Sakaguchi, he was assigned to compose the soundtrack to Chrono Trigger. After the game's success and the music's acclaim, he went on to compose several other games for Square, including Xenogears. In 1998 Mitsuda left Square to work as a freelance composer, founding his own music production studio, Procyon Studio, in 2001 as well as his own record label, Sleigh Bells. The company has since expanded to nine employees, and Mitsuda continues to compose for video games, as well as for anime series and his own independent albums.
Despite his job title as a composer, Mitsuda worked for two years as a sound engineer. In 1994, after threatening to quit to Square's vice president, Hironobu Sakaguchi, he was assigned to compose the soundtrack to Chrono Trigger. After the game's success and the music's acclaim, he went on to compose several other games for Square, including Xenogears. In 1998 Mitsuda left Square to work as a freelance composer, founding his own music production studio, Procyon Studio, in 2001 as well as his own record label, Sleigh Bells. The company has since expanded to nine employees, and Mitsuda continues to compose for video games, as well as for anime series and his own independent albums.
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Paganini
Niccolò Paganini (27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His caprice in A minor, Op. 1 No. 24 is among his best known of compositions, and serves as inspiration for many prominent artists.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Paul Simon
Paul Frederic Simon (born October 13, 1941) is an American songwriter, musician, and member of the Rock and Roll Hall of Fame. In 2006, Time magazine called him one of the 100 "people who shape our world." As of 2007, he resides in New Canaan, Connecticut.
He released Paul Simon in 1972, which contained one of his first experiments with world music, the Jamaican-inspired Mother and Child Reunion, and There Goes Rhymin' Simon in 1973. His 1975 album Still Crazy After All These Years is considered to be among his finest work, particularly the title track and the hit single "50 Ways to Leave Your Lover." The One Trick Pony album, Simon's first album with Warner Bros. Records was also paired with a major motion picture of the same name, with Simon in the starring role. Simon's next album Hearts and Bones, while critically acclaimed, did not yield any hit singles and marked a lull in his commercial popularity in the early 1980s.
In 1985, Simon lent his talents to USA for Africa and performed on the famine relief fundraising single "We Are the World". In 1986 he released the immensely popular Graceland, for which he won a Grammy. The album featured the groundbreaking use of African rhythms and performers such as Ladysmith Black Mambazo. In 1990, he followed up Graceland with the commercially successful and consistent successor album The Rhythm of the Saints, which featured Brazilian musical themes.
His 2000 studio album You're the One, did not reach the commercial heights of previous albums but was considered by many fans and critics to be an artistic success and received a Grammy nomination for Album of the Year. Simon's latest album, Surprise, produced by himself and Brian Eno, was released on May 9, 2006. In commenting on US TV show Ellen what drove him to write material for this latest album, Simon noted the events of September 11, 2001 and also turning 60 since his previous album You're the One.
He released Paul Simon in 1972, which contained one of his first experiments with world music, the Jamaican-inspired Mother and Child Reunion, and There Goes Rhymin' Simon in 1973. His 1975 album Still Crazy After All These Years is considered to be among his finest work, particularly the title track and the hit single "50 Ways to Leave Your Lover." The One Trick Pony album, Simon's first album with Warner Bros. Records was also paired with a major motion picture of the same name, with Simon in the starring role. Simon's next album Hearts and Bones, while critically acclaimed, did not yield any hit singles and marked a lull in his commercial popularity in the early 1980s.
In 1985, Simon lent his talents to USA for Africa and performed on the famine relief fundraising single "We Are the World". In 1986 he released the immensely popular Graceland, for which he won a Grammy. The album featured the groundbreaking use of African rhythms and performers such as Ladysmith Black Mambazo. In 1990, he followed up Graceland with the commercially successful and consistent successor album The Rhythm of the Saints, which featured Brazilian musical themes.
His 2000 studio album You're the One, did not reach the commercial heights of previous albums but was considered by many fans and critics to be an artistic success and received a Grammy nomination for Album of the Year. Simon's latest album, Surprise, produced by himself and Brian Eno, was released on May 9, 2006. In commenting on US TV show Ellen what drove him to write material for this latest album, Simon noted the events of September 11, 2001 and also turning 60 since his previous album You're the One.
Olafur Arnalds
Ólafur Arnalds (Icelandic pronunciation: ; born 3 November 1986) is an Icelandic multi-instrumentalist and producer from Mosfellsbær, Iceland. He mixes strings and piano with loops and beats, a sound ranging from ambient/electronic to atmospheric pop. He is also the former drummer for hardcore / metal bands Fighting Shit, Celestine, and others.
In 2009, Ólafur also formed an experimental techno project, entitled Kiasmos, with Janus Rasmussen from the Icelandic electro-pop band Bloodgroup, announcing his electronic debut album in 2014.
In 2009, Ólafur also formed an experimental techno project, entitled Kiasmos, with Janus Rasmussen from the Icelandic electro-pop band Bloodgroup, announcing his electronic debut album in 2014.
John Scofield
John Scofield (born December 26, 1951), sometimes referred to as "Sco", is an American jazz-rock guitarist and composer whose music includes bebop, jazz fusion, funk, blues, soul, and rock. He has worked with Miles Davis, Dave Liebman, Joe Henderson, Charles Mingus, Joey DeFrancesco, Herbie Hancock, Eddie Palmieri, Pat Metheny, Bill Frisell, Joe Lovano, Pat Martino, Mavis Staples, Phil Lesh, Billy Cobham, Medeski Martin & Wood, George Duke, Jaco Pastorius, John Mayer, Robert Glasper, and Gov't Mule.
Queen
Queen were an English rock band formed in 1970 in London by guitarist Brian May, lead vocalist Freddie Mercury, and drummer Roger Taylor, with bass guitarist John Deacon completing the lineup the following year. While it is uncertain how many albums the band has sold, estimations range from 130 million to over 300 million albums worldwide.
The band is noted for their musical diversity, multi-layered arrangements, vocal harmonies, and incorporation of audience participation into their live performances. Their 1985 Live Aid performance was voted the best live rock performance of all time in an industry poll.
Queen had moderate success in the early 1970s, with the albums Queen and Queen II, but it was with the release of Sheer Heart Attack in 1974 and A Night at the Opera the following year that the band gained international success. They have released fifteen studio albums, five live albums, and numerous compilation albums. Eighteen of these have reached number one on charts around the world.
Following Mercury's death in 1991 and Deacon's retirement later in the decade, May and Taylor have performed infrequently under the Queen name. Since 2005 they have been collaborating with Paul Rodgers, under the moniker Queen + Paul Rodgers.
The band is noted for their musical diversity, multi-layered arrangements, vocal harmonies, and incorporation of audience participation into their live performances. Their 1985 Live Aid performance was voted the best live rock performance of all time in an industry poll.
Queen had moderate success in the early 1970s, with the albums Queen and Queen II, but it was with the release of Sheer Heart Attack in 1974 and A Night at the Opera the following year that the band gained international success. They have released fifteen studio albums, five live albums, and numerous compilation albums. Eighteen of these have reached number one on charts around the world.
Following Mercury's death in 1991 and Deacon's retirement later in the decade, May and Taylor have performed infrequently under the Queen name. Since 2005 they have been collaborating with Paul Rodgers, under the moniker Queen + Paul Rodgers.
Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887 – November 17, 1959) was a Brazilian composer, described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known and most significant Latin American composer to date. He wrote numerous orchestral, chamber, instrumental and vocal works. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras ("Brazilian Bachian-pieces").
His earliest pieces originated in guitar improvisations, for example Panqueca ("Pancake") of 1900. The concert series of 1915–21 included first performances of pieces demonstrating originality and virtuosic technique. Some of these pieces are early examples of elements of importance throughout his œuvre. His attachment to the Iberian Peninsula is demonstrated in Canção Ibéria of 1914 and in orchestral transcriptions of some of Enrique Granados' piano Goyescas (1918, now lost). Other themes that were to recur in his later work include the anguish and despair of the piece Desesperança— Sonata Phantastica e Capricciosa no. 1 (1915), a violin sonata including "histrionic and violently contrasting emotions", the birds of L'oiseau blessé d'une flèche (1913), the mother-child relationship (not usually a happy one in Villa-Lobos's music) in Les mères of 1914, and the flowers of Suíte floral for piano of 1916–18 which reappeared in Distribuição de flores for flute and guitar of 1937.
Reconciling European tradition and Brazilian influences was also an element that bore fruit more formally later. His earliest published work Pequena suíte for cello and piano of 1913 shows a love for the cello, but is not notably Brazilian, although it contains elements that were to resurface later. His three-movement String Quartet no. 1 (Suíte graciosa) of 1915 (expanded to six movements ca. 1947) is influenced by European opera, while Três danças características (africanas e indígenas) of 1914–16 for piano, later arranged for octet and subsequently orchestrated, is radically influenced by the tribal music of the Caripunas Indians of Mato Grosso.
With his tone poems Amazonas (1916, first performed in Paris in 1929) and Uirapurú (1916, first performed 1935) he created works dominated by indigenous Brazilian influences. The works use Brazilian folk tales and characters, imitations of the sounds of the jungle and its fauna, imitations of the sound of the nose-flute by the violinophone, and not least imitations of the uirapuru itself.
His earliest pieces originated in guitar improvisations, for example Panqueca ("Pancake") of 1900. The concert series of 1915–21 included first performances of pieces demonstrating originality and virtuosic technique. Some of these pieces are early examples of elements of importance throughout his œuvre. His attachment to the Iberian Peninsula is demonstrated in Canção Ibéria of 1914 and in orchestral transcriptions of some of Enrique Granados' piano Goyescas (1918, now lost). Other themes that were to recur in his later work include the anguish and despair of the piece Desesperança— Sonata Phantastica e Capricciosa no. 1 (1915), a violin sonata including "histrionic and violently contrasting emotions", the birds of L'oiseau blessé d'une flèche (1913), the mother-child relationship (not usually a happy one in Villa-Lobos's music) in Les mères of 1914, and the flowers of Suíte floral for piano of 1916–18 which reappeared in Distribuição de flores for flute and guitar of 1937.
Reconciling European tradition and Brazilian influences was also an element that bore fruit more formally later. His earliest published work Pequena suíte for cello and piano of 1913 shows a love for the cello, but is not notably Brazilian, although it contains elements that were to resurface later. His three-movement String Quartet no. 1 (Suíte graciosa) of 1915 (expanded to six movements ca. 1947) is influenced by European opera, while Três danças características (africanas e indígenas) of 1914–16 for piano, later arranged for octet and subsequently orchestrated, is radically influenced by the tribal music of the Caripunas Indians of Mato Grosso.
With his tone poems Amazonas (1916, first performed in Paris in 1929) and Uirapurú (1916, first performed 1935) he created works dominated by indigenous Brazilian influences. The works use Brazilian folk tales and characters, imitations of the sounds of the jungle and its fauna, imitations of the sound of the nose-flute by the violinophone, and not least imitations of the uirapuru itself.
John Williams
John Towner Williams (born February 8, 1932) is an American composer, conductor, and pianist. In a career that spans six decades, Williams has composed many of the most famous film scores in Hollywood history, including Star Wars, Superman, Home Alone, the first three Harry Potter movies and all but two of Steven Spielberg's feature films including the Indiana Jones series, Schindler's List, E.T. the Extra-Terrestrial, Jurassic Park and Jaws. He also composed the soundtrack for the hit 1960s television series Lost in Space as well as the fanfare of the DreamWorks Pictures' logo.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Beatles
The Beatles were an English rock band formed in Liverpool in 1960. Their best-known lineup, consisting of John Lennon, Paul McCartney, George Harrison, and Ringo Starr, became the greatest and most influential act of the rock era, introducing more innovations into popular music than any other rock band of the 20th century. Rooted in skiffle and 1950s rock and roll, the Beatles later utilized several genres, ranging from pop ballads to psychedelic rock, often incorporating classical elements in innovative ways. In the early 1960s, their enormous popularity first emerged as "Beatlemania", but as their songwriting grew in sophistication, they came to be perceived by many fans and cultural observers as an embodiment of the ideals shared by the era's sociocultural revolutions.
The band built their reputation playing clubs in Liverpool and Hamburg over a three-year period from 1960. Manager Brian Epstein moulded them into a professional act and producer George Martin enhanced their musical potential. They gained popularity in the United Kingdom after their first modest hit, "Love Me Do", in late 1962. They acquired the nickname the "Fab Four" as Beatlemania grew in Britain over the following year, and by early 1964 they had become international stars, leading the "British Invasion" of the United States pop market. From 1965 on, the Beatles produced what many critics consider their finest material, including the innovative and widely influential albums Rubber Soul (1965), Revolver (1966), Sgt Pepper's Lonely Hearts Club Band (1967), The Beatles (1968), and Abbey Road (1969). After their break-up in 1970, they each enjoyed successful musical careers. Lennon was shot and killed in December 1980, and Harrison died of lung cancer in November 2001. McCartney and Starr remain musically active.
The band built their reputation playing clubs in Liverpool and Hamburg over a three-year period from 1960. Manager Brian Epstein moulded them into a professional act and producer George Martin enhanced their musical potential. They gained popularity in the United Kingdom after their first modest hit, "Love Me Do", in late 1962. They acquired the nickname the "Fab Four" as Beatlemania grew in Britain over the following year, and by early 1964 they had become international stars, leading the "British Invasion" of the United States pop market. From 1965 on, the Beatles produced what many critics consider their finest material, including the innovative and widely influential albums Rubber Soul (1965), Revolver (1966), Sgt Pepper's Lonely Hearts Club Band (1967), The Beatles (1968), and Abbey Road (1969). After their break-up in 1970, they each enjoyed successful musical careers. Lennon was shot and killed in December 1980, and Harrison died of lung cancer in November 2001. McCartney and Starr remain musically active.
Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich, Russian composer. The USSR Supreme Soviet MP was awarded the Order of Lenin. The composer, who wrote the most important symphonies of the 20th century, produced many works, including soundtrack, song and jazz.
Eric Whitacre
Eric Edward Whitacre (born January 2, 1970) is an American composer, conductor, and speaker known for his choral, orchestral, and wind ensemble music. In March 2016, he was appointed as Los Angeles Master Chorale's first artist-in-residence at the Walt Disney Concert Hall.
Biagio Marini
Biagio Marini (5 February 1594 – 20 March 1663) was an Italian virtuoso violinist and composer in the first half of the seventeenth century.Marini was born in Brescia. He may have studied with his uncle Giacinto Bondioli. His works were printed and influential throughout the European musical world. He traveled throughout his life, and occupied posts in Brussels, over thirty years in Neuburg an der Donau and Düsseldorf, and Venice in 1615, joining Monteverdi's group at St. Mark's Cathedral, Padua, Parma, Ferrara, Milan, Bergamo, and Brescia in Italy. There is evidence that he married three times and fathered five children. He died in Venice.
Guns N' Roses
Guns N 'Roses is an American rock band founded in 1985 in Los Angeles, California. Axl Rose, Slash, Izzy Stradlin, Duff McKagan, and Steven , Genres: Hard rock, Heavy metal, Blues rock, Glam rock They started their music life in Los Angeles, California, USA (1985) Albums: Appetite for Destruction, Use Your Illusion I
John Mackey
John Mackey (born October 1, 1973) is an American composer of contemporary classical music, with an emphasis on music for wind band, as well as orchestra. For several years, he focused on music for modern dance and ballet.John Mackey was born in New Philadelphia, Ohio and grew up in Westerville, Ohio, where he attended Westerville South High School. Though musicians themselves, Mackey's parents did not provide him with music lessons, and he never formally studied an instrument. His grandfather, however, taught him to read music and introduced him to digital music notation.