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Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Arcangelo Corelli
Arcangelo Corelli (17 February 1653 – 8 January 1713) was an Italian violinist and composer of Baroque music.
Corelli was born at Fusignano, in the current-day province of Ravenna, although at the time it was in the province of Ferrara. Little is known about his early life. His master on the violin was Giovanni Battista Bassani. Matteo Simonelli, the well-known singer of the pope’s chapel, taught him composition.
He gained his first major success in Paris at the age of nineteen, and to this he owed his European reputation. From Paris, Corelli went to Germany. In 1681 he was in the service of the electoral prince of Bavaria; between 1680 and 1685 he spent a considerable time in the house of his friend and fellow violinist-composer Cristiano Farinelli (believed to be the uncle of the celebrated castrato Farinelli).
In 1685 Corelli was in Rome, where he led the festival performances of music for Queen Christina of Sweden, and he was also a favorite of Cardinal Pietro Ottoboni, grandnephew of another Cardinal Pietro Ottoboni, who in 1689 became Pope Alexander VIII. From 1689 to 1690 he was in Modena; the Duke of Modena was generous to him. In 1708 he returned to Rome, living in the palace of Cardinal Ottoboni. His visit to Naples, at the invitation of the king, took place in the same year.
The style of execution introduced by Corelli and preserved by his pupils, such as Francesco Geminiani, Pietro Locatelli, and many others, was of vital importance for the development of violin playing. It has been said that the paths of all of the famous violinist-composers of 18th-century Italy led to Arcangelo Corelli who was their "iconic point of reference." (Toussaint Loviko, in the program notes to Italian Violin Concertos, Veritas, 2003)
Corelli was born at Fusignano, in the current-day province of Ravenna, although at the time it was in the province of Ferrara. Little is known about his early life. His master on the violin was Giovanni Battista Bassani. Matteo Simonelli, the well-known singer of the pope’s chapel, taught him composition.
He gained his first major success in Paris at the age of nineteen, and to this he owed his European reputation. From Paris, Corelli went to Germany. In 1681 he was in the service of the electoral prince of Bavaria; between 1680 and 1685 he spent a considerable time in the house of his friend and fellow violinist-composer Cristiano Farinelli (believed to be the uncle of the celebrated castrato Farinelli).
In 1685 Corelli was in Rome, where he led the festival performances of music for Queen Christina of Sweden, and he was also a favorite of Cardinal Pietro Ottoboni, grandnephew of another Cardinal Pietro Ottoboni, who in 1689 became Pope Alexander VIII. From 1689 to 1690 he was in Modena; the Duke of Modena was generous to him. In 1708 he returned to Rome, living in the palace of Cardinal Ottoboni. His visit to Naples, at the invitation of the king, took place in the same year.
The style of execution introduced by Corelli and preserved by his pupils, such as Francesco Geminiani, Pietro Locatelli, and many others, was of vital importance for the development of violin playing. It has been said that the paths of all of the famous violinist-composers of 18th-century Italy led to Arcangelo Corelli who was their "iconic point of reference." (Toussaint Loviko, in the program notes to Italian Violin Concertos, Veritas, 2003)
Joe Henderson
Born in Lima, Ohio, Henderson was one of five sisters and nine brothers. He was encouraged by his parents Dennis and Irene (née Farley) and older brother James T. to study music. He dedicated his first album to them "for being so understanding and tolerant" during his formative years. Early musical interests included drums, piano, saxophone and composition. According to Kenny Dorham, two local piano teachers who went to school with Henderson's brothers and sisters, Richard Patterson and Don Hurless, gave him a knowledge of the piano. He was particularly enamored of his brother's record collection. It seems that a hometown drummer, John Jarette, advised Henderson to listen to musicians like Lester Young, Stan Getz, Dexter Gordon and Charlie Parker. He also liked Flip Phillips, Lee Konitz and the Jazz at the Philharmonic recordings. However, Parker became his greatest inspiration. His first approach to the saxophone was under the tutelage of Herbert Murphy in high school. In this period of time, he wrote several scores for the school band
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Vittorio Monti
Vittorio Monti (6 January 1868 – 20 June 1922) was an Italian composer, violinist, and conductor. Monti was born in Naples where he studied violin and composition at the Conservatorio di San Pietro a Majella. Around 1900 he got an assignment as the conductor for the Lamoureux Orchestra in Paris, where he wrote several ballets and operettas, for example Noël de Pierrot.
His only famous work is his Csárdás, written around 1904 and played by almost every gypsy orchestra.
His only famous work is his Csárdás, written around 1904 and played by almost every gypsy orchestra.
Marcel Moyse
Marcel Moyse (pron. moh-EEZ; May 17, 1889 in St. Amour, France – November 1, 1984 in Brattleboro, Vermont, United States) was a French flautist. Moyse studied at the Paris Conservatory and was a student of Philippe Gaubert, Adolphe Hennebains, and Paul Taffanel; all of whom were flute virtuosos in their time. Moyse played principal flute in various Paris orchestras and appeared widely as a soloist and made many recordings. His trademark tone was clear, flexible, penetrating, and controlled by a fast vibrato. This was a characteristic of the ‘French style’ of flute playing that was to influence the modern standard for flutists worldwide.
Benny goodman
Benjamin David "Benny" Goodman is an American jazz and swing musician and clarinetist. It is known as the "King of Swing." Date of birth: May 30, 1909, Chicago, Illinois, United States Date and place of death: June 13, 1986, Manhattan House, New York, USA
Instrument: Clarinet
Instrument: Clarinet
Antonio Bazzini
Antonio Bazzini (11 March 1818 – 10 February 1897) was an Italian violinist, composer and teacher. As a composer his most enduring work is his chamber music which has earned him a central place in the Italian instrumental renaissance of the 19th century. However, his success as a composer was overshadowed by his reputation as one of the finest concert violinists of the nineteenth century. He also contributed to a portion of Messa per Rossini, specifically the first section of II. Sequentia, Dies Irae.
J. S. Bach
Johann Sebastian Bach (21 March 1685, O.S.31 March 1685, N.S. – 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Yuriy Leonovich
Born in Kyiv, Ukraine, cellist Yuriy Leonovich immigrated to the United States with his family. His teachers include cellists Stephen Geber and Robert DeMaine, and composer James Hartway. Leonovich earned his Doctor of Musical Arts degree from the Cleveland Institute of Music. He is a recipient of the Hope and Stanley Adelstein Prize for Excellence in Composition and Performance. Following his vision to expand the standard cello repertoire, Leonovich wrote his DMA research document on Gaspar Cassadó's cello concertos.
The Who
The Who are an English rock band formed in 1964. The primary lineup consisted of vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle, and drummer Keith Moon. They became known for energetic live performances including the pioneering spectacle of instrument destruction. The Who have sold about 100 million records and have charted 27 top forty singles in the United Kingdom and United States with 17 top ten albums, including 18 Gold, 12 Platinum and 5 Multi-Platinum album awards in the United States alone.
The Who rose to fame in the UK with a series of top ten hit singles, boosted in part by pirate radio stations such as Radio Caroline, beginning in January 1965 with "I Can't Explain". The albums My Generation (1965), A Quick One (1966) and The Who Sell Out (1967) followed, with the first two hitting the UK top five. They first hit the U.S. Top 40 in 1967 with "Happy Jack" and hit the top ten later that year with "I Can See for Miles". Their fame grew with memorable performances at the Monterey Pop and Woodstock music festivals. The 1969 release of Tommy was the first in a series of top ten albums in the U.S., followed by Live at Leeds (1970), Who's Next (1971), Quadrophenia (1973), The Who By Numbers (1975), Who Are You (1978) and The Kids Are Alright (1979).
Moon died at the age of 32 in 1978, after which the band released two studio albums, the UK and U.S. top five Face Dances (1981) and the U.S. top ten It's Hard (1982), with drummer Kenney Jones, before disbanding in 1983. They re-formed at events such as Live Aid and for reunion tours such as their 25th anniversary tour (1989) and the Quadrophenia tours of 1996 and 1997. In 2000, the three surviving original members discussed recording an album of new material, but their plans temporarily stalled upon Entwistle's death at the age of 57 in 2002. Townshend and Daltrey continue to perform as The Who, and in 2006 they released the studio album Endless Wire, which reached the top ten in the UK and U.S.
The Who were inducted into the Rock and Roll Hall of Fame in 1990, their first year of eligibility. Their display there describes them as "Prime contenders, in the minds of many, for the title of World's Greatest Rock Band." The Los Angeles Times wrote that during their tenure as a quartet, the band "rivaled The Beatles, Bob Dylan and The Rolling Stones as the most vital rock voice of youth." Time Magazine wrote in 1979 that "No other group has ever pushed rock so far, or asked so much from it." They received a Lifetime Achievement Award from the British Phonographic Industry in 1988, and from the Grammy Foundation in 2001. In 2008 surviving members Townshend and Daltrey were honoured at the 31st Annual Kennedy Center Honors.
The Who rose to fame in the UK with a series of top ten hit singles, boosted in part by pirate radio stations such as Radio Caroline, beginning in January 1965 with "I Can't Explain". The albums My Generation (1965), A Quick One (1966) and The Who Sell Out (1967) followed, with the first two hitting the UK top five. They first hit the U.S. Top 40 in 1967 with "Happy Jack" and hit the top ten later that year with "I Can See for Miles". Their fame grew with memorable performances at the Monterey Pop and Woodstock music festivals. The 1969 release of Tommy was the first in a series of top ten albums in the U.S., followed by Live at Leeds (1970), Who's Next (1971), Quadrophenia (1973), The Who By Numbers (1975), Who Are You (1978) and The Kids Are Alright (1979).
Moon died at the age of 32 in 1978, after which the band released two studio albums, the UK and U.S. top five Face Dances (1981) and the U.S. top ten It's Hard (1982), with drummer Kenney Jones, before disbanding in 1983. They re-formed at events such as Live Aid and for reunion tours such as their 25th anniversary tour (1989) and the Quadrophenia tours of 1996 and 1997. In 2000, the three surviving original members discussed recording an album of new material, but their plans temporarily stalled upon Entwistle's death at the age of 57 in 2002. Townshend and Daltrey continue to perform as The Who, and in 2006 they released the studio album Endless Wire, which reached the top ten in the UK and U.S.
The Who were inducted into the Rock and Roll Hall of Fame in 1990, their first year of eligibility. Their display there describes them as "Prime contenders, in the minds of many, for the title of World's Greatest Rock Band." The Los Angeles Times wrote that during their tenure as a quartet, the band "rivaled The Beatles, Bob Dylan and The Rolling Stones as the most vital rock voice of youth." Time Magazine wrote in 1979 that "No other group has ever pushed rock so far, or asked so much from it." They received a Lifetime Achievement Award from the British Phonographic Industry in 1988, and from the Grammy Foundation in 2001. In 2008 surviving members Townshend and Daltrey were honoured at the 31st Annual Kennedy Center Honors.
Yellowjackets
Yellowjackets is an American jazz fusion bandJimmy Haslip, Bob Mintzer, Russell Ferrante,Will Kennedy
Henry Mancini
Henry Mancini (April 16, 1924 – June 14, 1994) was an American composer, conductor and arranger. He is remembered particularly for being a composer of film and television scores. Mancini also won a record number of Grammy awards, including a Grammy Lifetime Achievement Award in 1995. His best-known works are the jazz-idiom theme to The Pink Panther film series ("The Pink Panther Theme"), the Peter Gunn Theme (from the so-named series) and "Moon River".
Mancini was nominated for an unprecedented 72 Grammys, winning 20. Additionally he was nominated for 18 Academy Awards, winning four. He also won a Golden Globe Award and was nominated for two Emmys.
Mancini won a total of four Oscars for his music in the course of his career. He was first nominated for an Academy Award in 1955 for his original score of The Glenn Miller Story, on which he collaborated with Joseph Gershenson. He lost out to Adolph Deutsch and Saul Chaplin's Seven Brides for Seven Brothers. In 1962 he was nominated in the Best Music, Original Song category for "Bachelor in Paradise" from the film of the same name, in collaboration with lyricist Mack David. That song did not win. However, Mancini did receive two Oscars that year: one in the same category, for the song "Moon River" (shared with lyricist Johnny Mercer), and one for "Best Music, Scoring of a Dramatic or Comedy Picture" for Breakfast at Tiffany's. The following year, he and Mercer took another Best Song award for "Days of Wine and Roses," another eponymous theme song. His next eleven nominations went for naught, but he finally garnered one last statuette working with lyricist Leslie Bricusse on the score for Victor/Victoria, which won the "Best Music, Original Song Score and Its Adaptation or Best Adaptation Score" award for 1983. All three of the films for which he won were directed by Blake Edwards. His score for Victor/Victoria was adapted for the 1995 Broadway musical of the same name.
Mancini was nominated for an unprecedented 72 Grammys, winning 20. Additionally he was nominated for 18 Academy Awards, winning four. He also won a Golden Globe Award and was nominated for two Emmys.
Mancini won a total of four Oscars for his music in the course of his career. He was first nominated for an Academy Award in 1955 for his original score of The Glenn Miller Story, on which he collaborated with Joseph Gershenson. He lost out to Adolph Deutsch and Saul Chaplin's Seven Brides for Seven Brothers. In 1962 he was nominated in the Best Music, Original Song category for "Bachelor in Paradise" from the film of the same name, in collaboration with lyricist Mack David. That song did not win. However, Mancini did receive two Oscars that year: one in the same category, for the song "Moon River" (shared with lyricist Johnny Mercer), and one for "Best Music, Scoring of a Dramatic or Comedy Picture" for Breakfast at Tiffany's. The following year, he and Mercer took another Best Song award for "Days of Wine and Roses," another eponymous theme song. His next eleven nominations went for naught, but he finally garnered one last statuette working with lyricist Leslie Bricusse on the score for Victor/Victoria, which won the "Best Music, Original Song Score and Its Adaptation or Best Adaptation Score" award for 1983. All three of the films for which he won were directed by Blake Edwards. His score for Victor/Victoria was adapted for the 1995 Broadway musical of the same name.
John Scofield
John Scofield (born December 26, 1951), sometimes referred to as "Sco", is an American jazz-rock guitarist and composer whose music includes bebop, jazz fusion, funk, blues, soul, and rock. He has worked with Miles Davis, Dave Liebman, Joe Henderson, Charles Mingus, Joey DeFrancesco, Herbie Hancock, Eddie Palmieri, Pat Metheny, Bill Frisell, Joe Lovano, Pat Martino, Mavis Staples, Phil Lesh, Billy Cobham, Medeski Martin & Wood, George Duke, Jaco Pastorius, John Mayer, Robert Glasper, and Gov't Mule.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Herbie Hancock
Herbert Jeffrey "Herbie" Hancock (born April 12, 1940) is an American pianist and composer. He is regarded not only as one of the greatest living jazz musicians, but also as one of the most influential jazz musicians of the 20th century. His music embraces elements of funk and soul while adopting freer stylistic elements from jazz. In his jazz improvisation, he possesses a unique creative blend of jazz, blues, and modern classical music, with harmonic stylings much like the styles of Claude Debussy and Maurice Ravel.
As part of Miles Davis's "second great quintet," Hancock helped redefine the role of a jazz rhythm section, and was one of the primary architects of the "post-bop" sound. Later, he was one of the first jazz musicians to embrace synthesizers and funk. Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success among pop audiences.
Herbie's best-known solo works include "Cantaloupe Island," "Watermelon Man" (later performed by dozens of musicians, including bandleader Mongo Santamaria), "Maiden Voyage," "Chameleon," and the singles " I Thought It Was You" and "Rockit." His 2007 tribute album "River: The Joni Letters" won the 2007 Grammy Award for Album of the Year, only the second jazz album ever to win the award after 1965's Getz/Gilberto.
He is an adherent of the Nichiren school of Mahayana Buddhism.
As part of Miles Davis's "second great quintet," Hancock helped redefine the role of a jazz rhythm section, and was one of the primary architects of the "post-bop" sound. Later, he was one of the first jazz musicians to embrace synthesizers and funk. Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success among pop audiences.
Herbie's best-known solo works include "Cantaloupe Island," "Watermelon Man" (later performed by dozens of musicians, including bandleader Mongo Santamaria), "Maiden Voyage," "Chameleon," and the singles " I Thought It Was You" and "Rockit." His 2007 tribute album "River: The Joni Letters" won the 2007 Grammy Award for Album of the Year, only the second jazz album ever to win the award after 1965's Getz/Gilberto.
He is an adherent of the Nichiren school of Mahayana Buddhism.
Alfred Schnittke
Alfred Garrievich Schnittke was a Soviet and German composer. Schnittke's early music shows the strong influence of Dmitri Shostakovich. He developed a polystylistic technique in works such as the epic Symphony No. 1 and his first concerto grosso. Wikipedia Born: November 24, 1934, Engels, Russia Died: August 3, 1998, Hamburg, Germany
Place of burial: Novodevichy Cemetery, Moscow, Russia Spouse: Irina Schnittke (m. 1961–1998), Galina Koltsina (m. 1956–1958)
Place of burial: Novodevichy Cemetery, Moscow, Russia Spouse: Irina Schnittke (m. 1961–1998), Galina Koltsina (m. 1956–1958)
Zucchero Fornaciari
Adelmo Fornaciari Cavaliere di Gran Croce OMRI (Italian pronunciation: ; born 25 September 1955), more commonly known by his stage name Zucchero Fornaciari or simply Zucchero (pronounced ), is an Italian singer-songwriter and musician. His stage name is the Italian word for "sugar", as his elementary teacher used to call him. His music is largely inspired by gospel, soul, blues and rock music, and alternates between Italian ballads and more rhythmic R&B-boogie-like pieces. He is credited as the "father of Italian blues", introducing blues to the big stage in Italy. He is one of the few European blues artists who still enjoys great international success.
joão bosco
João Bosco de Freitas Mucci, known professionally as João Bosco (Portuguese pronunciation: ) is a Brazilian singer-songwriter and guitarist. In the 1970s he established his reputation in música popular Brasileira (Portuguese: "Brazilian pop music") with lyricist Aldir Blanc.Born on July 13, 1946, in Ponte Nova, Minas Gerais, Bosco's profession was engineering when he moved to Rio de Janeiro, where his songs were recorded by Elis Regina. In the introduction to his three-volume Songbook, Almir Chediak wrote, "Brilliant composer João Bosco's melodic and harmonic constructions are among the most auspicious in Brazilian music." Chapter Five of Masters of Contemporary Brazilian Song: MPB 1965-1985 by Charles A. Perrone is dedicated to the work of Bosco and Blanc.
Chicago
Chicago is a Kander and Ebb musical set in prohibition era Chicago. The book is by Ebb and Bob Fosse. The story is a satire on corruption in the administration of criminal justice, and the concept of the "celebrity criminal." The musical is based on a 1926 play of the same name by reporter Maurine Dallas Watkins about actual criminals and crimes she had reported on.
The original 1975 Broadway production ran for a total of 936 performances. Bob Fosse choreographed the original production, and his style is strongly identified with the show. Chicago's 1996 Broadway revival holds the record for the longest-running musical revival on Broadway (not counting the revue Oh! Calcutta!) and, as of March 2, 2008, it has played for more than 4,684 performances. The revival was followed by a production on London's West End and several tours and international productions. An Academy Award-winning film version of the musical was released in 2002.
The original 1975 Broadway production ran for a total of 936 performances. Bob Fosse choreographed the original production, and his style is strongly identified with the show. Chicago's 1996 Broadway revival holds the record for the longest-running musical revival on Broadway (not counting the revue Oh! Calcutta!) and, as of March 2, 2008, it has played for more than 4,684 performances. The revival was followed by a production on London's West End and several tours and international productions. An Academy Award-winning film version of the musical was released in 2002.
Paganini
Niccolò Paganini (27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His caprice in A minor, Op. 1 No. 24 is among his best known of compositions, and serves as inspiration for many prominent artists.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Josh Groban
Joshua Winslow Groban (born February 27, 1981) is a Grammy-nominated American singer-songwriter. He has concentrated his career so far mostly in concert singing and recordings, although he has stated that he wishes to pursue musical theater in the future.
Various music critics have described Groban's voice in different ways, with some referring to him as a tenor and others as a baritone. In performance, Groban's music goes as low as G2 (as in the song "To Where You Are") and extends up to at least B4 flat or the B flat above middle C (as heard in "You Raise Me Up"). He also hits a High B during the Baywatch theme song in his Emmy performance of TV Theme Songs on September 21, 2008.This places his voice lower than the tenor range on the low end, and just short of Tenor C, and therefore above the baritone range, on the high end.
Some of Groban's musical influences have been Radiohead, Paul Simon, Sting, Peter Gabriel, and Björk. He says he is able to look up to anyone, musically, who has pushed the boundaries and stepped outside of the box. As for vocal influences, "anyone who told a story with their songs," including Mandy Patinkin, Klaus Nomi, George Hearn, and Luciano Pavarotti.
Various music critics have described Groban's voice in different ways, with some referring to him as a tenor and others as a baritone. In performance, Groban's music goes as low as G2 (as in the song "To Where You Are") and extends up to at least B4 flat or the B flat above middle C (as heard in "You Raise Me Up"). He also hits a High B during the Baywatch theme song in his Emmy performance of TV Theme Songs on September 21, 2008.This places his voice lower than the tenor range on the low end, and just short of Tenor C, and therefore above the baritone range, on the high end.
Some of Groban's musical influences have been Radiohead, Paul Simon, Sting, Peter Gabriel, and Björk. He says he is able to look up to anyone, musically, who has pushed the boundaries and stepped outside of the box. As for vocal influences, "anyone who told a story with their songs," including Mandy Patinkin, Klaus Nomi, George Hearn, and Luciano Pavarotti.
Dvorak
Antonín Leopold Dvořák (September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms and melodies of the folk music of his native Bohemia and Moravia. His works include operas, symphonic, choral and chamber music. His best-known works are his New World Symphony (particularly the slow movement), as well as his Slavonic Dances, American String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Beriot
Charles Auguste de Bériot (20 February 1802 – 8 April 1870) was a Belgian violinist and composer.
Stevie Wonder
Stevie Wonder (born Stevland Hardaway Judkins on May 13, 1950, name later changed to Stevland Hardaway Morris) is an American singer-songwriter, multi-instrumentalist, and record producer. A prominent figure in popular music during the latter half of the 20th century , Wonder has recorded more than thirty top ten hits, won 26 Grammy Awards (a record for a solo artist), plus one for lifetime achievement, won an Academy Award for Best Song and been inducted into both the Rock and Roll and Songwriters halls of fame. He has also been awarded the Polar Music Prize.
Blind from infancy, Wonder signed with Motown Records as a pre-adolescent at age twelve, and continues to perform and record for the label to this day. He has nine U.S. number-one hits to his name (on the pop Charts, 20 U.S. R&B number one hits), and album sales totaling more than 150 million units. Wonder has recorded several critically acclaimed albums and hit singles, and writes and produces songs for many of his label mates and outside artists as well. Wonder plays the piano, synthesizer, harmonica, congas, drums, bongos, organ, melodica, and clavinet. In his early career, he was best known for his harmonica work, but today he is better known for his keyboard skills and vocals.
Blind from infancy, Wonder signed with Motown Records as a pre-adolescent at age twelve, and continues to perform and record for the label to this day. He has nine U.S. number-one hits to his name (on the pop Charts, 20 U.S. R&B number one hits), and album sales totaling more than 150 million units. Wonder has recorded several critically acclaimed albums and hit singles, and writes and produces songs for many of his label mates and outside artists as well. Wonder plays the piano, synthesizer, harmonica, congas, drums, bongos, organ, melodica, and clavinet. In his early career, he was best known for his harmonica work, but today he is better known for his keyboard skills and vocals.
Max Bruch
Max Bruch (6 January 1838 – 2 October 1920) was a German Romantic composer, teacher, and conductor who wrote more than 200 works, including three violin concertos, the first of which has become a staple of the violin repertoire.Max Bruch was born in 1838 in Cologne to Wilhelmine (née Almenräder), a singer, and August Carl Friedrich Bruch, a lawyer who became vice president of the Cologne police. Max had a sister, Mathilde ("Till"). He received his early musical training under the composer and pianist Ferdinand Hiller, to whom Robert Schumann dedicated his piano concerto in A minor. The Bohemian composer and piano virtuoso Ignaz Moscheles recognized the aptitude of Bruch.
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Oscar Hammerstein
Oscar Greeley Clendenning Ritter von Hammerstein II (/ˈhæmərstaɪn/; July 12, 1895 – August 23, 1960) was an American librettist, theatrical producer, and (usually uncredited) theatre director of musicals for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs.
Hammerstein was the lyricist and playwright in his partnerships; his collaborators wrote the music. Hammerstein collaborated with numerous composers, such as Jerome Kern, with whom he wrote Show Boat, Vincent Youmans, Rudolf Friml, Richard A. Whiting, and Sigmund Romberg, but he is best known for his collaborations with Richard Rodgers, as the duo Rodgers and Hammerstein, whose collaborations include Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music.
Hammerstein was the lyricist and playwright in his partnerships; his collaborators wrote the music. Hammerstein collaborated with numerous composers, such as Jerome Kern, with whom he wrote Show Boat, Vincent Youmans, Rudolf Friml, Richard A. Whiting, and Sigmund Romberg, but he is best known for his collaborations with Richard Rodgers, as the duo Rodgers and Hammerstein, whose collaborations include Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music.
Tower of Power
Tower of Power is an American soul and funk based horn section and band, originating from Oakland, California that has been performing for over 40 years.
Tower of Power has been recording and touring continuously since 1968, and the band maintains a very busy tour calendar. In 2008 they celebrated their 40th Anniversary with shows in San Mateo, California in August, and a huge show at the Fillmore in San Francisco on October 18, 2008. At that show many former band members appeared onstage, and the entire event was recorded for a DVD to be released in late-2009.
Tower of Power has released 19 albums over the years (compilations and regional variations not included), the latest being 2009's homage to classic soul songs The Great American Soulbook.
Tower of Power has been recording and touring continuously since 1968, and the band maintains a very busy tour calendar. In 2008 they celebrated their 40th Anniversary with shows in San Mateo, California in August, and a huge show at the Fillmore in San Francisco on October 18, 2008. At that show many former band members appeared onstage, and the entire event was recorded for a DVD to be released in late-2009.
Tower of Power has released 19 albums over the years (compilations and regional variations not included), the latest being 2009's homage to classic soul songs The Great American Soulbook.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Pachelbel
Johann Pachelbel (baptized September 1, 1653 – buried March 9, 1706) was a German Baroque composer, organist and teacher who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Henry Purcell
Henry Purcell (pronounced /ˈpɜrsəl/; 10 September 1659 (?) – 21 November 1695), was an English organist and Baroque composer of secular and sacred music. Although Purcell incorporated Italian and French stylistic elements into his compositions, his legacy was a uniquely English form of Baroque music.
Georges Bizet
Georges Bizet (25 October 1838 – 3 June 1875) was a French composer and pianist of the Romantic era. He is best known for the opera Carmen.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
The Secret Garden
The Secret Garden is a musical based on the 1909 novel of the same name by Frances Hodgson Burnett. The musical's book and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway at the St. James Theatre on 25 April 1991 and closed on 3 January 1993 after 709 performances.
The musical, set in 1906, tells of a young English girl, Mary, who is forced to move to England from colonial India when her parents die in a cholera outbreak. There she lives with her emotionally stunted Uncle Archibald and her invalid cousin. Discovering a hidden and neglected garden, and bravely overcoming dark forces, she and a young gardener bring it back to life at the same time as she brings new life to her cousin and uncle.
The Secret Garden garnered the 1991 Tony Awards for Best Book of a Musical, Best Featured Actress in a Musical (Daisy Eagan), and Best Scenic Design (Heidi Landesman). The set resembled an enormous Victorian toy theatre with pop-out figures, large paper dolls, and Joseph Cornell-like collage elements.
The musical, set in 1906, tells of a young English girl, Mary, who is forced to move to England from colonial India when her parents die in a cholera outbreak. There she lives with her emotionally stunted Uncle Archibald and her invalid cousin. Discovering a hidden and neglected garden, and bravely overcoming dark forces, she and a young gardener bring it back to life at the same time as she brings new life to her cousin and uncle.
The Secret Garden garnered the 1991 Tony Awards for Best Book of a Musical, Best Featured Actress in a Musical (Daisy Eagan), and Best Scenic Design (Heidi Landesman). The set resembled an enormous Victorian toy theatre with pop-out figures, large paper dolls, and Joseph Cornell-like collage elements.
Robert Johnson
Robert Leroy Johnson was an American blues singer-songwriter and musician. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians.
Schubert
Franz Peter Schubert (January 31, 1797 – November 19, 1828) was an Austrian composer. He wrote some 600 lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, and a large body of chamber and solo piano music. He is particularly noted for his original melodic and harmonic writing.
While Schubert had a close circle of friends and associates who admired his work (including his teacher Antonio Salieri, and the prominent singer Johann Michael Vogl), wider appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. Interest in Schubert's work increased dramatically in the decades following his death and he is now widely considered to be one of the greatest composers in the Western tradition.
While he was clearly influenced by the Classical sonata forms of Beethoven and Mozart (his early works, among them notably the 5th Symphony, are particularly Mozartean), his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama. This combination of Classical form and long-breathed Romantic melody sometimes lends them a discursive style: his 9th Symphony was described by Robert Schumann as running to "heavenly lengths". His harmonic innovations include movements in which the first section ends in the key of the subdominant rather than the dominant (as in the last movement of the Trout Quintet). Schubert's practice here was a forerunner of the common Romantic technique of relaxing, rather than raising, tension in the middle of a movement, with final resolution postponed to the very end.
While Schubert had a close circle of friends and associates who admired his work (including his teacher Antonio Salieri, and the prominent singer Johann Michael Vogl), wider appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. Interest in Schubert's work increased dramatically in the decades following his death and he is now widely considered to be one of the greatest composers in the Western tradition.
While he was clearly influenced by the Classical sonata forms of Beethoven and Mozart (his early works, among them notably the 5th Symphony, are particularly Mozartean), his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama. This combination of Classical form and long-breathed Romantic melody sometimes lends them a discursive style: his 9th Symphony was described by Robert Schumann as running to "heavenly lengths". His harmonic innovations include movements in which the first section ends in the key of the subdominant rather than the dominant (as in the last movement of the Trout Quintet). Schubert's practice here was a forerunner of the common Romantic technique of relaxing, rather than raising, tension in the middle of a movement, with final resolution postponed to the very end.
Erik Santos
Rhoderick Ramos Santos (born October 10, 1982), more commonly known as simply Erik Santos, is a Filipino singer, occasional actor, TV host, commercial model, and the first Grand Champion of the ABS-CBN singing competition Star in a Million Season 1 in 2003.
Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov (Russian: Никола́й Андре́евич Ри́мский-Ко́рсаков, Nikolaj Andreevič Rimskij-Korsakov, Russian pronunciation: ) (18 March 1844, – 21 June 1908) was a Russian composer, and a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are considered staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Scheherazade is an example of his frequent use of fairy tale and folk subjects.
Rimsky-Korsakov believed, as did fellow composer Mily Balakirev and critic Vladimir Stasov, in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However, Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. His techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.
Rimsky-Korsakov believed, as did fellow composer Mily Balakirev and critic Vladimir Stasov, in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However, Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. His techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.
Chick Corea
Armando Anthony "Chick" Corea (born June 12, 1941) is a multiple Grammy Award-winning American jazz pianist, keyboardist, drummer, and composer.
He is known for his work during the 1970s in the genre of jazz fusion. He participated in the birth of the electric fusion movement as a member of Miles Davis' band in the 1960s, and in the 1970s formed Return to Forever.
He continued to pursue other collaborations and explore various musical styles throughout the 1980s and 1990s. He is also known for promoting Scientology.
He is known for his work during the 1970s in the genre of jazz fusion. He participated in the birth of the electric fusion movement as a member of Miles Davis' band in the 1960s, and in the 1970s formed Return to Forever.
He continued to pursue other collaborations and explore various musical styles throughout the 1980s and 1990s. He is also known for promoting Scientology.
Vanessa Mae
Vanessa-Mae (陈美 Chén Měi) (born 27 October 1978) also called Vanessa-Mae Vanakorn Nicholson, is a British violinist with album sales reaching several million, having made her the wealthiest entertainer under 30 in the United Kingdom in 2006. She competed under the name Vanessa Vanakorn (Thai: วาเนสซ่า วรรณกร; her father's surname) for Thailand in alpine skiing at the 2014 Winter Olympics. She was initially banned from skiing because a qualifying race for her benefit was alleged to be corrupt, but the Court of Arbitration for Sport later nullified the ban, citing lack of evidence for her own wrongdoing or any manipulation. The International Ski Federation later had to issue an apology to her.
Paquito D'Rivera
Paquito D'Rivera is a Cuban-born jazz and classical music saxophonist and clarinetist. At the age of 5, D'Rivera became interested in music and appeared at a very young age with the Cuban National Symphony Orchestra.
George Enescu
George Enescu, known in France as Georges Enesco, was a Romanian composer, violinist, pianist, conductor, and teacher. He is regarded by many as Romania's most important musician
Abel
Carl Friedrich Abel is a German classical composer and viola da gambier. He studied at Thomasschule zu Leipzig, where Johann Sebastian Bach taught. He played for 10 years at Dresten under the direction of Johann Adolph Hasse. Then she went to England and became Queen Charlotte's chamber musician.
Wizet
Wizet is a game development studio located in Seoul, South Korea, and is popular for its hit game, MapleStory. Wizet developed a franchise system and expanded its services to Japan, China, Thailand, Malaysia, Singapore, Taiwan, the USA, Europe, and Brazil. Eventually, Wizet reached the global world after having finished developing key features of MapleStory.
Cecile Chaminade
Cécile Louise Stéphanie Chaminade (August 8, 1857 – April 13, 1944) was a French composer and pianist.
Born in Paris, she studied at first with her mother, then with Félix Le Couppey, Augustin Savard, Martin Pierre Marsick and Benjamin Godard, but not officially, since her father disapproved of her musical education.
Her first experiments in composition took place in very early days, and in her eighth year she played some of her sacred music to Georges Bizet, who was much impressed with her talents. She gave her first concert when she was eighteen, and from that time on her work as a composer gained steadily in favor. She wrote mostly character pieces for piano, and salon songs, almost all of which were published.
She toured France several times in those earlier days, and in 1892 made her début in England, where her work was extremely popular.
Chaminade married a music publisher from Marseilles, Louis-Mathieu Carbonel, in 1901, and on account of his advanced age the marriage was rumored to be one of convenience. He died in 1907, and Chaminade did not remarry.
In 1908 she visited the United States, and was accorded a very hearty welcome from her innumerable admirers there. Her compositions were tremendous favorites with the American public, and such pieces as the Scarf dance or the Ballet No. 1 were to be found in the music libraries of many lovers of piano music of the time. She composed a Konzertstück for piano and orchestra, the ballet music to Callirhoé and other orchestral works. Her songs, such as The Silver Ring and Ritournelle, were also great favorites. Ambroise Thomas, the celebrated French composer and writer, once said of Chaminade: "This is not a woman who composes, but a composer who is a woman." In 1913, she was awarded the Légion d'Honneur, a first for a female composer. In London, 1903, she made gramophone recordings of six of her compositions for the Gramophone and Typewriter Company; these are among the most sought-after piano recordings by collectors. Before and after World War I, Chaminade recorded many piano rolls, but as she grew older, she composed less and less, dying in Monte Carlo on April 13, 1944.
Born in Paris, she studied at first with her mother, then with Félix Le Couppey, Augustin Savard, Martin Pierre Marsick and Benjamin Godard, but not officially, since her father disapproved of her musical education.
Her first experiments in composition took place in very early days, and in her eighth year she played some of her sacred music to Georges Bizet, who was much impressed with her talents. She gave her first concert when she was eighteen, and from that time on her work as a composer gained steadily in favor. She wrote mostly character pieces for piano, and salon songs, almost all of which were published.
She toured France several times in those earlier days, and in 1892 made her début in England, where her work was extremely popular.
Chaminade married a music publisher from Marseilles, Louis-Mathieu Carbonel, in 1901, and on account of his advanced age the marriage was rumored to be one of convenience. He died in 1907, and Chaminade did not remarry.
In 1908 she visited the United States, and was accorded a very hearty welcome from her innumerable admirers there. Her compositions were tremendous favorites with the American public, and such pieces as the Scarf dance or the Ballet No. 1 were to be found in the music libraries of many lovers of piano music of the time. She composed a Konzertstück for piano and orchestra, the ballet music to Callirhoé and other orchestral works. Her songs, such as The Silver Ring and Ritournelle, were also great favorites. Ambroise Thomas, the celebrated French composer and writer, once said of Chaminade: "This is not a woman who composes, but a composer who is a woman." In 1913, she was awarded the Légion d'Honneur, a first for a female composer. In London, 1903, she made gramophone recordings of six of her compositions for the Gramophone and Typewriter Company; these are among the most sought-after piano recordings by collectors. Before and after World War I, Chaminade recorded many piano rolls, but as she grew older, she composed less and less, dying in Monte Carlo on April 13, 1944.
Frances
In August 2014, she was the featured artist for the track "Fire May Save You" for the French music label Kitsuné. The single was released as part of an EP, which contained remixes of the same track. In July 2015, she released the EP Grow for Communion Records. In October 2015, she released the EP Let It Out.In November 2015, she was shortlisted for the 2016 BRIT Awards: Critics' Choice Award. In December 2015, she was nominated for the BBC Sound of 2016.
In 2016, she portrayed Katter the Butterfly singing "In My Life" in Beat Bugs episode 10b.
In 2016, she portrayed Katter the Butterfly singing "In My Life" in Beat Bugs episode 10b.
Igor Stravinsky
Igor Fyodorovich Stravinsky (17 June 1882 – 6 April 1971) was a Russian-born, naturalised French, later naturalised American composer, pianist, and conductor.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
Max Reger
Max Reger Composer Description Johann Baptist Joseph Maximilian Reger is a German composer, pianist, organist, conductor and teacher. Date of birth: March 19, 1873, Brand, Germany Date and place of death: May 11, 1916, Leipzig, Germany
Carlos Gardel
Carlos Gardel (11 December 1890 – 24 June 1935) was a singer, songwriter and actor, and is perhaps the most prominent figure in the history of tango. The unerring musicality of Gardel's baritone voice and the dramatic phrasing of his lyrics made miniature masterpieces of his hundreds of three-minute tango recordings. Together with lyricist and long-time collaborator Alfredo Le Pera, Gardel wrote several classic tangos, most notably "Mi Buenos Aires querido", "Por una cabeza" and "El día que me quieras".
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" (The Song Thrush), "The King of Tango", "El Mago" (The Magician) and "El Mudo" (The Mute).
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" (The Song Thrush), "The King of Tango", "El Mago" (The Magician) and "El Mudo" (The Mute).
The Beatles
The Beatles were a pop and rock group from Liverpool, England formed in 1960. Primarily consisting of John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals) and Ringo Starr (drums, vocals) throughout their career, The Beatles are recognised for leading the mid-1960s musical "British Invasion" into the United States. Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock. Their clothes, styles, and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s. After the band broke up in 1970, all four members embarked upon solo careers.
The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.
The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.
Muse
Muse are a British rock band formed in Teignmouth, Devon, United Kingdom in 1994 under the alias of Rocket Baby Dolls. The band comprises Matthew Bellamy (vocals, guitar and piano), Christopher Wolstenholme (bass guitar and backing vocals) and Dominic Howard (drums and percussion). Muse's style can be considered as a mixture of many musical genres, most notably alternative rock, classical music and electronica. Muse are known best for their energetic and visually dazzling live performances and on June 16th & 17th, 2007 became the first band to sell out the newly built Wembley Stadium in London. Muse have released four studio albums with their first, Showbiz, released in 1999, followed by Origin of Symmetry in 2001 and Absolution in 2003. The most recent, Black Holes & Revelations (2006), was also the most critically acclaimed, garnering the band a Mercury Prize nomination and a third place finish in the NME Albums of the Year list for 2006. Muse have won various awards throughout their career including 5 MTV Europe Music Awards, 5 Q Awards, 4 NME Awards and 2 Brit awards.
Carl Bohm
Carl Bohm (also known as Henry Cooper and Karl Bohm) (11 September 1844 – 4 April 1920) was a German pianist and composer.Bohm is regarded as one of the leading German songwriters of the 19th century, and wrote such works as Still as the Night, Twilight, May Bells, Enfant Cheri and The Fountain.The Oxford Companion to Music says that Bohm was "a German composer of great fecundity and the highest salability... He occupied an important position in the musical commonwealth inasmuch as his publisher, N. Simrock, declared that the profits on his compositions provided the capital for the publication of those of Brahms.
Sigfrid Karg-Elert
Sigfrid Karg-Elert (November 21, 1877 – April 9, 1933) was a German composer in the early twentieth century, best known for his compositions for organ and harmonium.Karg-Elert was born Siegfried Theodor Karg in Oberndorf am Neckar, Germany, the youngest of the twelve children of Johann Jacob Karg, a book dealer, and his wife Marie Auguste Karg, born Ehlert (sic). According to another account, however, his father was a newspaper editor and publisher (Conley 2001). The family finally settled in Leipzig in 1882, where Siegfried received his first musical training and private piano instruction.
Joachim Andersen
Carl Joachim Andersen (April 29, 1847 – May 7, 1909) was a Danish flutist, conductor and composer born in Copenhagen, son of the flutist Christian Joachim Andersen. Both as a virtuoso and as composer of flute music, he is considered one of the best of his time. He was a tough leader and teacher and demanded as such a lot from his orchestras but through that style he reached a high level.